Tag: corporate
Monad Sans Font
Monad Sans is a typeface that builds on traditional and modern grotesques — aspiring to be a modern workhorse, rugged but not wooden, geometric yet limber. Available in eight weights, it has a medium x-height and generous character width. The
Pantra Font
Pantra is a minimal and clear geometric sans. Influences range from Futura to Akzidenz Grotesk. Pantra is clear, approachable, and effective in both headings and paragraphs and comes in 4 weights: light, regular, medium and bold. Published by Nicolas DesleDownload
Salt & Spices Mono Font
Salt & Spices Mono is the mono lined version of Salt & Spices Pro. Where Salt & Spices Pro has the rough contours and high contrast that is typical for dip pen calligraphy, Salt & Spices Mono has clean crisp
Couple Volume 1 Font
Salt & Spices Pro is a welcome addition to the ever popular modern calligraphy genre. Digitizing the many handwritten samples into a fully functional connected script was done with great precision, carefully guarding the authentic look and feel of vintage
Neutro Font
Neutro is a neutral, multi-purpose font family. It is Aspira made more neutral, by removing angled terminals. Neutro’s subtle, fresh geometric personality, makes it ideal for any use where the content is more important than the font used to display
Charlevoix Pro Font
Charlevoix is a beautiful display typeface. It is strong and wavy like the Quebec region's beautiful landscape. Its slightly rounded corners remind us of older prints where letters were never sharp at the edges. It boasts 325 meticulously crafted glyphs.
Univia Pro Font
Univia Pro is a new contemporary OpenType font family with modernity and versatility in mind. Distinctive with its pleasant look extremely modern, Univia Pro have a lot of personalty mostly achieved by smooth curves and round corners that forms a
Bw Modelica Font
Bw Modelica is a minimal, robust, reliable & pragmatic geometric sans. Its clean shapes and generous x-height makes it a very competent face for both, display and body copy purposes. It’s available in 8 weights with matching oblique italics. The
Marvaloha Font
Designed by Marloes Versluys, Marvaloha is based on the handwriting of an Advertising creative director. The casual but powerful strokes he uses for sketching are also visible in his writing. The Marvaloha font family consists of the original Marvaloha Regular
CP Company Font
CP Company™ is a typeface designed in 2000 as part for the corporate image and internal communication of the Italian clothes manufacturer C.P. Company. The company makes intensive use of press and web solutions for promotion and advertising, so they
Corporative Soft Font
Corporative Soft is the slightly rounded-edged version of Corporative. This font has a marked personality and distinctive traits, what makes it suitable to be used at large text sizes. At the same time, the smooth transition from straight to curved
Sangli Font
It started in 2007 with Chennai, the first of a three-part series of sans that I envisioned with slab serif counterparts. Each font would differ from the others in how the stem terminals were expressed. The initial font was extremely
Yorkten Font
Clean and welcoming, the distinct look of Yorkten is remarkably satisfying to the eye. Straight to the point, Yorkton features a fashionable, geometric composition with angled main stems. There are no fewer than fifty-four fonts in the family, all of
Bambusa Pro Font
Bambusa Pro is a sturdy expressive modern calligraphy family of 4 fonts: Regular, Bold, Basic and Ornaments. It owes its name to the bamboo pen that was used to draw all of the characters and swashes. The typical ink-strokes of
Animo Font
Animo stands out from the crowd. Animo is surprisingly legible for its outspoken personality. Many of Animo’s small details were crafted to enhance its legibility, while preserving its personality. Animo is suitable for both text and display use — for
New Age Font
We never tuned into robots. They didn’t come to our commune to kill, but to commercialize. We were living in a New Age and it wasn’t new enough. As fast as we dropped out of being drones, real drones took
Brocha Font
I made the first sketches for Brocha when I first visited Easter Island in 2011. I took inspiration from pre-Columbian art for such sketches, but I must say that they were kind of rough and clumsy; it was an experimental,