Tag: correspondence
Double Hitter Font
This font was created mostly to be a companion set for our other Typewriter families, allowing you to introduce the typewriter flaw where you end up with a double impression of a character. A Typewriter emulation with slight inking imperfections,
Beckenham Font
Designed by Les Usherwood, Beckenham was digitally engineered by Steve Jackaman. The x-heights are radically different; the x-height on the light version is small, and gets larger as the weights progress. Published by Red RoosterDownload Beckenham
Glasgow Pro Font
Designed by Steve Jackaman & Ashley Muir. Glasgow Pro has been completely redrawn and remastered by Steve Jackaman and Ashley Muir. The new Glasgow Pro family has been fleshed out with a glyph set that is over 40% larger than
Claremont Font
Designed by Les Usherwood. Digitally engineered by Paul Hickson. Les never released this completed typeface before his untimely death in 1983. Published by Red RoosterDownload Claremont
Globale Font
Globale, pronounced Globaal, is designed in two roman weights with matching italics. Small capitals and old style numerals have also been designed for the roman versions. In terms of style, Australian designer Scott Carslake has managed to capture an elusive
Charlotte Font
Although designer Michael Gills was influenced by 18th century French type designer Pierre-Simon Fournier, Charlotte is best described as a modern roman typeface. Its clean cut style, accentuated by a strong vertical stress and unbracketed serifs, exudes an authoritative tone,
Quest Font
Designed by Steve Jackaman. Loosely based on Dorsey, an English typeface by Alan Dempsey. Published by Red RoosterDownload Quest
Extension Font
Designed by Les Usherwood, Extension is a modern sans digitally engineered by Steve Jackaman. Many of the weights and the italics were created after Les death. Published by Red RoosterDownload Extension
Gilgamesh Font
Functionality with style is the keynote of Gilgamesh, the latest text typeface family from the cultured hand of British designer, Michael Gills. Based largely on Gills’ calligraphic experiments, Gilgamesh offers the discerning typographer everything – slightly narrower-than-normal letterforms for economy
Gothic Font
Digitally engineered by Steve Jackaman, Gothic is a modern and fashionable sans serif design based on the original typeface by Ludlow (1939). Published by Red RoosterDownload Gothic
Equestrienne Font
Designed by Les Usherwood and digitally engineered by Paul Hickson. Les never released this completed typeface before his untimely death in 1983. Published by Red RoosterDownload Equestrienne
Revelation Font
Revelation is a text typestyle that offers a diversity of usage and settings through its wide array of variants in weight and width, from condensed to expanded, regular to bold, and even outline versions. Published by Breaking The NormDownload Revelation
Xctasy Sans Font
Designed by Steve Jackaman, Xctasy Sans is a unique and retro sans-serif influenced by the 1960’s typeface, Design Fineline. Published by Red RoosterDownload Xctasy Sans
Generation Gothic Font
Generation Gothic, has already proved to be very popular with leading magazines including Later, Computer Arts, Ultimate Golf and Spark Magazine. This collection introduces complementary Generation Headlines which seek attention and create impact; Generation Uncial (which isn’t just for mystics
Relish Pro Font
Designed by Steve Jackaman and Ashley Muir. Relish is a more traditional sans serif version of our Guildford typeface, with round punctuation. Relish contains all the high-end features expected in a quality OpenType Pro font. Published by Red RoosterDownload Relish
Shinn Font
Designed by Nick Shinn. Digitally engineered by Steve Jackaman. Humanist sans serif with a calligraphic cut and tall ascenders. Light, Medium and Extra Bold designed by Nick in 1985 for Typsettra; Steve added the Book and Bold weights, and the
Basuto Font
Designed by Paul Hickson, Basuto is based on the original typeface design from 1927. Published by Red RoosterDownload Basuto
Figural Font
Michael Gills developed this new text family under the direction of Type Director, Colin Brignall. Figural is based on the original 1940 design by Oldrich Menhart, the famous Czechoslovakian calligrapher, type designer and typographer. All of the the original characteristics