Tag: cursive
Be Bright Font
Be Bright is a sweet, hand brushed style font, that contains ligatures and multi-language support for most western languages. Published by Seniors StudioDownload Be Bright
Flourishes A Font
“Florishes A” are a set of flourishes, that serves well for frames and other elegant embellishments, they are beginning of last century American. Your I-found-them-somewhere type-designer Gert Wiescher Published by Wiescher DesignDownload Flourishes A
Donna Bodoni Font
“Donna Bodoni” was inspired by David Farey. He once wrote, somebody should honor the widow of Giambattista Bodoni the brave Signora Paola Margherita Dall ‘Aglio for her effort to have the “Manuale tipografico di Giambattista Bodoni” published after his death.
Violetta Font
Introducing Violetta; a sophisticated set of fonts packed full of extra features. With an enormous amount of layout options, you can put together a typographic work of art with a custom-made quality in a flash. Hand drawn with extra attention
1871 Dreamer 2 Pro Font
Like our first “1871 Dreamer Script” This script font was created inspired from a lot of manuscripts, notes and drafts, written by the famous american poet Walt Whitman. However, it is a very different font, with numerous different ligatures, alternates
Swanson Font
“Swanson” is the son of the swan. This doesn’t make a lot of sense to non-typedesigners so I need to explain. The late, great italian typedesigner Aldo Novarese designed around 1950 a typeface for Nebiolo that he called “Cigno” which
Golden Plains Font
Great shaggy heads and powerful shoulders, herded up against the hundredth meridian or breaking away into the sunset. Give me a home on that Golden Plain, and make my address a redress. For we will roam. Published by BLKBKDownload Golden
Fatta Font
Huge, bold and friendly. With original fat curves & paintbrush terminals. Fatta is Miguel Hernandez font, an ultra black humanist sans. It has three variants: Regular, Italic & Italic Swash, which allow the user to compose display text in a
Tamara Font
“Tamara” is a very open kind-of-art-deco-script based on some initials for “Semplicita” made in the 1930s by the “Nebiolo” foundry. I designed a complete set with three weights. Since I am an ardent admirer of “Tamara de Lempicka” the Polish-French
Caboom Font
Caboom is a very lively script. I got the idea when I was in Paris the last time and discovered that a small movie theater was showing “Zazie dans le Metro” by Louis Malle. Just had to do a crazy
Black And White Font
Black and White script is a design created using brush and ink. It contains a complete set of lowercase, uppercase, alternates, ligatures, punctuation, numbers, and multilingual support. Black And White is ideal for use in watercolor-styled designs or in cases
Feast Font
Feast is a calligraphy style font designed by Alissa Mazzenga. Her hand-sculpted letterforms emanate a powerful, yet delicate presence. Their magic resides in the ethereal movement of fluid wisps of ink, forming soft arched lines and design that stands alone.
Velvet Hammer Font
The Velvet Hammer is a true hand calligraphy font that offers the viewer a sense of strong elegance. This font can be used for all things such as cards, posters, signage, wedding invitations, catalogs, book covers and so much more!
Royal Classic Font
Royal Classic is another work that is based on a design that has initially been commissioned by King Ludwig I of Bavaria for in-house-use. I bought a set of his chief scribes guidelines for writing and one of the scripts
Asterism Font
Asterism is a calligraphy style font with a moving baseline and lots of shining personality. This hand written style font is based on one of Molly’s signature calligraphy styles and pairs beautifully with Frosted, Icing, Saint Agnes. Published by Great
Marguerite Font
Designed by fine artist and calligrapher Alissa Mazzenga, Marguerite is is a calligraphy style font inspired by fine artistry and risk taking. She has a way of surprising her viewer, with a look that is authentic, yet chic, relaxed, but
Sherlock Font
Sherlock is a very mysterious script, always on the lookout for the killer-design-project. It is a joining- or not-joining-script, whatever you want it to be. The pro-version sports 807 glyphs with language support for all European languages and some –