Tag: delicate
Administer Font
Designed by Les Usherwood. Digitally engineered by Steve Jackaman. A few weights were originally released by another foundry; but this complete version of the family is a better match to Les original drawings! Published by Red RoosterDownload Administer
Goudy 38 Font
Designed by Les Usherwood. Digitally engineered by Steve Jackaman. Originally designed by Frederick Goudy for the original Life magazine, circa 1908. The typeface was used almost exclusively for their advertising and was often known as Goudy Gimbel; but the typeface
Garamond Font
Garamond was originally designed by R.H. Middleton for Ludlow, circa 1929-30. Digitally engineered by Steve Jackaman. Published by Red RoosterDownload Garamond
July Kissed Font
July Kissed is a cute, handwritten font which is perfect for greeting cards, stamps, posters, invites, and all your other fun projects. This font contains standard characters, lowercase, uppercase, numbers, punctuation, ligatures and international characters. The lowercase letters include alternate
Waverly Font
Waverly is a round and soft serif designed by Les Usherwood, digitally engineered by Steve Jackaman. Published by Red RoosterDownload Waverly
de Novembre Font
De Novembre is a sleek, signature, script which will give instant class and style to your work. Use this font for branding, logo’s, signatures, invites, and all your other lovely projects. De Novembre contains standard characters, lowercase, uppercase, numbers, punctuation,
Javelin Font
Designed by A. Pat Hickson, Javelin is a sport-like and retro font design. Published by Red RoosterDownload Javelin
Hess Old Style Font
Designed by Steve Jackaman, Hess Old Style was originally designed by Sol Hess as just a roman and italic for Lanston Monotype, circa 1920-23. Published by Red RoosterDownload Hess Old Style
Kingsrow Font
Designed by Les Usherwood. Digitally engineered by Steve Jackaman. Unofficially named No Frills in the early stages of development, his widow Elsie decided that it would be called Kingsrow. Published by Red RoosterDownload Kingsrow
Bellini Font
Designed by A. Pat Hickson, Bellini is an original design based on the typeface Progreso from the Gans foundry circa 1923. Published by Red RoosterDownload Bellini
Kingsley Font
Designed by Les Usherwood. Digitally engineered by Steve Jackaman. This beautiful recreation by Les of the Frederick Goudy typeface, Kennerley Old Style, circa 1911-24, may be superior to any other. Published by Red RoosterDownload Kingsley
Gargoyle Font
Designed by Steve Jackaman, Gargoyle is based on the original Adrian Williams typeface design, circa 1976 and Brook Type in 1903 designed by Lucien Pissaro. Published by Red RoosterDownload Gargoyle
Aviano Royale Font
Aviano returns to lend its classic line to its newest variation, Aviano Royale–named so because of the rich flow the calligraphic capitals give the established font. The extended lowercase characters give an air of formality to the face as well
Flourishes A Font
“Florishes A” are a set of flourishes, that serves well for frames and other elegant embellishments, they are beginning of last century American. Your I-found-them-somewhere type-designer Gert Wiescher Published by Wiescher DesignDownload Flourishes A
Feast Font
Feast is a calligraphy style font designed by Alissa Mazzenga. Her hand-sculpted letterforms emanate a powerful, yet delicate presence. Their magic resides in the ethereal movement of fluid wisps of ink, forming soft arched lines and design that stands alone.
Winter Mix Blizzard Font
Winter Mix Blizzard is the full set of distressed versions of the following fonts (Icing, Frosted) Published by Great Lakes LetteringDownload Winter Mix Blizzard
Elegia Font
I designed Elegia on a winter escape in beautiful and sunny Lisbon. That was a very elating experience, friendly people, a beautiful old town, perfect coffee and good simple cooking all that topped by extremely reasonable prices. Since I just
Platinus Script Pro Font
Platinus Script Pro is the latest example of what has now become a Sudtipos tradition: Adapting conventional calligraphic methods from the last two centuries to produce modern digital scripts for the current one. This time the resulting font explores the