Tag: delicate
Bellissima Script Pro Font
While in the same vein and spirit as Burgues and Compendium, Bellissima began from an entirely different thread as those fonts. It started with Alex Trochut generously showing me a gorgeous lettering book from his grandfather’s library: Bellezas de la
Kozmetica Font
Kozmetica is new original elegance from the dynamic team of Koziupa and Paul. Soft, warm forms made of pensively fluid strokes make for comfortable and classy delivery with just enough ornamentation to evoke the rich days of art deco. Kozemtica
Filson Soft Font
Filson Soft is the rounded version of the popular Filson Pro. At first sight, the main feature of Filson Soft are the distinctive letters ‘K’, ‘Q’ and especially ‘R’ that make the font family very elegant. With its rounded terminaisons,
Caprizant Font
A lively upright script based on letters inked with a pointed pen. In its default setting, Caprizant is understated and readable enough to use at smaller sizes — in short blocks of body copy it can easily mimic beautiful handwriting.
Deleplace Font
Deleplace is a modern, delicate and refined typeface that is both contemporary and hints at a classical past. Featured in 3 weights, this family includes an extended language support that covers extended latin and cyrillic scripts. It equally includes a
Winsome Font
How many ways can a typeface charm its reader? The aptly named Winsome offers virtually endless variety, in a friendly script face that balances the casual with the calligraphic. Customize it with over 600 alternates, swash characters, and ligatures. Winsome
Sangli Font
It started in 2007 with Chennai, the first of a three-part series of sans that I envisioned with slab serif counterparts. Each font would differ from the others in how the stem terminals were expressed. The initial font was extremely
NT Fata Font
NT Fata is a decorative multi-layered font. It allows endless possibilities. The ornamental shapes refer to middle eastern patterns, giving the type a mysterious and imaginative feel. The glyph set contains elegant ornaments, enabling you to decorate your design even
Sweetness Font
Sweetness Script is soft and sweet calligraphic styled typeface, with characters dancing along the baseline. Sweetness Script can be used for various purposes such as logos, wedding invitation, heading, t-shirt, letterhead, signage, label, news, posters, badges etc. OpenType features with
Blingtastic Font
Blingtastic Script is modern & clean calligraphy script, with characters that dance along the baseline with an elegant touch. Can be used for various purposes such as logos, wedding invitation, heading, t-shirt, letterhead, signage, labels, news, posters, badges etc. OpenType
Brenda Font
Brenda Script is a beautiful formal script, contemporary typeface with classic root and elegant touch. Can be used for various purposes.such as logos, wedding invitation, heading, t-shirt, letterhead, signage, labels, news, posters, badges etc. Brenda Script features 405+ glyphs and
Insolente Font
Insolente is a versatile and realistic human script designed by Fanny Coulez and Julien Saurin in Paris, perfect for giving your designs a personal touch. The family includes two fonts: Insolente Regular, with ligatures and double-letter ligatures, and Insolente Alternates,
Chelsea Font
Designed by Les Usherwood, Chelsea is a serif design digitally engineered by Steve Jackaman. Published by Red RoosterDownload Chelsea
Dequindre Font
Dequindre is a monolinear blackletter typeface, and was drawn as if grade school handwriting practice sheets came in a blackletter variety. Dropping the thin/thick calligraphic contrast of traditional blackletter glyph construction and instead sticking to the bare skeleton of the
Paganini Font
Designed in 1928 by Alessandro Butti under the direction of Raffaello Bertieri for the Nebiolo foundry, Paganini defies standard categorization. While it definitely is a classic foundry text face with obvious roots in the oldstyle of the Italian renaissance, its
Wagner Script Font
This gem of a script was what metal era typographers called a continental face, which essentially meant an old, most likely uncredited, metal face that was common to many European foundries. This particular one ran the rounds in the first
Auberge Script Pro Font
It took me a long time, but I think I now understand why people of my generation and older feel the need to frame current events in an historical context or precedents, while most of the young couldn’t care less
