Tag: diner
Neomarket Font
In the vast cosmos of graphic design, where aesthetic blend and style diversity collide, a standout font, NeoMarket, emerges from the marquee brilliance of the 80s. Conceived and brought to life by the distinguished designer Typia Nesia Std, this sans
Hottest Vibes Font
Hottest Vibes is a lively comic display font featuring bold brush strokes and a playful character. Enhanced with a touch of ligatures, this font is designed to spark your creativity and elevate your projects. Boasting support for over 100 languages,
Hello Monday Font
Hello Monday is a bold and wide vintage style serif font with a friendly charm and a reminiscence of a warm nostalgic feeling. Hello Monday is a great typeface for contemporary graphic design with that certain feeling of familiarity. It
Hawkins Font
Hawkins is a rounded serif combined with small hints of Art Nouveau influence and remarkably high x-height. Hawkins takes a lot of space and is a well suited display typeface for any use from print to online and from advertising
Manchego Font
What do you get when you mix iconic Cooper Black from 1922 with an even older font, equally iconic Windsor from 1905? Well of course, you get Manchego! Manchego combines the best of both: the plump features and serifs from
Peach Crush Font
Peach Crush is a bold vintage style serif font with a soft charm and smooth features. Peach Crush delivers a reminiscence of a familiar and warm nostalgic feeling. Peach Crush is equipped with Contextual, Swash, Stylistic and Titling alternates as
Basicons: Cafe Font
Stylish, adaptable, versatile and above all, simple, this set of 100 icons works very well for restaurant menus, cafe signage, product designs, window displays, presentations, web site designs, and many other restaurant, cafe and food-based design scenarios. BONUS: Includes a
Umba Slab Font
The best thing about Umba Slab is its surprise! UMBA Slab is a clean but eye-catching typeface designed by Anita Jürgeleit. It adds an amazing touch to your corporate design and titling by developing a more dynamic shape from thin
Nighthawk Font
A FONT THAT PAYS TRIBUTE TO AMERICAN DINERS OF THE 20TH CENTURY Diners… They’re as American as jazz and baseball. Inspired by streamlined trains, diners first appeared in the northeast United States. They were pre-fabricated and ready to go out
Over Easy Font
A FONT INSPIRED BY THE STORY OF THE AMERICAN DINER Diners… They’re as American as jazz and baseball. Inspired by streamlined trains, diners first appeared in the northeast United States. They were pre-fabricated and ready to go out of the
Andre Diner Font
Andre’s Diner is a deco-inspired display face, designed to pay homage to the days of diner culture. Use it clean, or combine if with your favourite presets or effects to create a true piece of Americana design. Aside from its
Filmotype Adonis Font
Filmotype Adonis is one of the earliest casual handwritten scripts that was introduced by Filmotype in the early 1950s. It perfectly captures the mid-century playfulness of hand lettering while providing comfortable readability. Filmotype Adonis was developed from the original font
Filmotype Athens Font
Introduced by Filmotype in 1955, Filmotype Athens was among Filmotype’s first condensed handlettered sho-card brush script faces for narrow applications where economy and style were paramount to the design while retaining legibility and easy readability. Filmotype Athens developed from the
Glyphic Neue Complete Font
Glyphic Neue was inspired by the Op Art style of lettering in the United States that ran rampant in many photo type houses in the 1960’s and 1970’s. The Glyphic Series from the Franklin Photolettering group was an influence and
Filmotype Hudson Font
Released by Filmotype in 1955, Filmotype Hudson was among Filmotype’s most popular upright informal style brush scripts inspired by sign painter classic brush script styles popular in the 1950s in periodical advertisements for automotive dealerships, grocery stores and spectaculars to
Flavor Rich Font
Juan grows coffee but he never drinks it. He never had much use for the plant, anyway: the real money–or stimulants at least–are in coca. For all the good your Flavor Rich cup does him, there’s nothing like being caught
Filmotype Homer Font
Introduced by Filmotype in the early to mid-1950s, Filmotype Homer was created in response to customer demand for a wider brush script expanding on Filmotype’s popular sign painter sho-card lettering styles used in the late 1940s through the 1950s. With
Pauline Font
Pauline is a sans serif with a strong influence from retro scripts. Pauline is a geometric face formed with slow and deliberate rounded brush strokes. The tall ascenders give it a useful touch of naïveté. It’s a face suitable for