Tag: display
Slice Font
Slice is an experimental, circular, display typeface designed by Superfried. Slice, like its big brother Slash, also features key incisions to form the glyphs. Unlike Slash, Slice is much simpler in design based on basic geometric forms and features both
Petala Pro Font
Pétala Pro gave his first steps almost ten years ago. During this time, the quest for perfection had forced several interruptions. It was necessary recalculate the route, tread other ways, discover new maps, and make easy curves. After all, a
Libertad Office Font
Libertad is a sans-serif typeface that mixes humanist and grotesk models – It’s most interesting feature is the combination of balanced regulars with dynamic italics, which makes it a very versatile font for different uses. This special package is a
Sybilla Font
Sybilla is a robust, yet friendly, humanist slab serif well suitable for broad range of design projects. A true workhorse and superb text type family, Sybilla was especially designed with legibility in mind. Its soft almost cursive shapes and generous
Black Marble Font
Under the pressure of literal continents, suffering the super-hot intrusions of magma, if stone were a man he might break. But a crystallizing purpose founds folded foliations and Black Marble forms foundations for new mineral formations. Published by BLKBKDownload Black
P22 Late November Font
P22 Late November is a new font family from Norwegian type designer Torliev Sverdrup. The font is a transitional Antiqua-inspired type design great for text and display uses Late November is a transitional Antiqua-inspired type design. Says Torliev: “I started
Decima Nova Font
Decima Nova is a geometric sans serif typeface family, built in eight styles. The typeface is ideal for use in display sizes, but also is quite legible in text and is well suited for editorial and identity design. Published by
Michellina Font
Michellina is a font design released for the Mecanorma Type Collection. Copyright 2004 Trip Productions BV. Published by MecanormaDownload Michellina
Bandoengsche Font
Bandung is home to numerous examples of Dutch colonial architecture, most notably the tropical Art Deco architectural style. This typeface was adapted from the finest Art Deco landmarks and signage in Bandung, Indonesia and strongly added native elements of traditional
Realtime Stencil Font
Realtime Stencil is part of the Realtime type family which draws inspiration from information displays. The result is a technical yet friendly design with details that serve function and visual impact alike. As a monospaced typeface it lends itself to
Spumante Font
A slim, semi-connected script with lithely upright curves, Spumante conveys the casual effervescence of its namesake wine. Smoothed brush-script letterforms bounce gently along the baseline, and letters vary slightly in their slant— characteristics that combine to create a very human
Rodchenko Font
Designed at ParaType in 1996-2002 by Tagir Safayev. Inspired by works of Russian Constructivists of the 1920s and 30s: Alexander Rodchenko, Varvara Stepanova, Vladimir and George Stenberg, Gustav Klutsis and others. A geometrical, caps and small caps only, sans serif
Sugar Pie Font
When Candy Script was officially released and in the hands of a few designers, I was in the middle of a three week trip in North America. When I got back to Buenos Aires, I found a few reactions to
Visby CF Font
Friendly and charismatic in lowercase; sophisticated and authoritative in uppercase. Visby is a geometric font family inspired by the stark beauty and crisp air of the Arctic North. Hard lines and sharp corners mesh with smooth, rounded forms, while subtle
Jeames Font
Jeames brings familiarity to the often detached feeling extended serif genre. The curved, heavy, joints let the letters bounce along while the proportions and contrast keep your eyes grounded. This mid century inspired family of three weights is intended for
Realtime Font
Information displays have an aesthetic of their own. Functional design where transmission of information is key — and best in real time. The Realtime typeface is not meant to recreate the appearance of those applications, instead it takes inspiration from