Tag: display

Lakey Font

Lakey designed by Philippe Moesch is a light & regular weighted, fine lined, modern font based on geometric shapes with glyphs for all european latin based languages and some extra stylistic ligatures. • Light & Regular weight • Stylistic ligatures

Jazz Font

British designer Alan Meeks has brilliantly captured the sophisticated elegance of the 1920’s and 1930’s jazz era with this Art Deco typeface. The bold roman style is enhanced with an interior design reminiscent of a piano keyboard. An excellent choice

Knul Font

An elegant modern typeface with a subtle monoline appearance. The simplicity of the design creates clean forms best suited to identity, editorial and advertising uses. Details include 6 weights with italics, an extended European character set, cyrillic lettering manually edited

Tremendous Font

Strong and somewhat rough but absolutely warm-hearted, this Tremendous family is quite versatile and will find the right tone to deliver your message in a nice way. It can be friendly, it can speak out loud, it can be almost

Haute Font

Haute is a finely crafted serif display typeface that blends the fashion world with a subtle Herb Lubalin touch. It includes alternate letterforms which creates a bold geometric rhythm within the typeface. Updated version now includes not only opentype, but

Theorem Font

Theorem is an interesting change from the usual calligraphic work of Koziupa and Paul. An art deco font with a 1990s twist in its capitals, Theorem’s lowercase characters were designed to automatically achieve the best optical spacing in typesetting. To

Fab Font

Fab is Canada Type’s tribute to the Eighties. It’s a five-font unicase family that brings tube design into the 21st century. The main font is an all-in-one treatment of the shiny roundness that the 1980s were. Fab White is a

Camera Font

Legible, simple and very lovely sans serif is based on artdeco advertisment from 1800s to early 20th. The sweetest sans for your retro-style project. Published by Dharma TypeDownload Camera

YWFT Whisky Font

The Precursors. The Founders. The Engineers. Known by many names in popular culture, this colony of erudite masters from Long Before were as style-conscious as they were technically adept, and their written glyphs certainly might have resembled YWFT Whisky. A

Furius Font

Furius is a display typeface inspired by the split serif style of woodcut or chiseled letters found in roman inscriptions and later popularized by the western genre in the United States. Created as a display typeface, Furius combines a host

Smashing Font

Smashing is a stout typeface, with a twist. It’s a massive all-caps font with bouncing glyphs, positively bold yet quite good-humoured. Its upper and lower case slots stores different lettershapes, providing handy options to choose from. When working with OpenType

Foros Font

Foros(tm) is a modern humanist sanserif font family of 8 styles. Each style contains beside many other alternatives of upper and lowercase letters a ‘unicase’ character set. Foros is a development of a modern pattern of rough geometric shapes in

FontForum Supernormale Font

Type is a very important element within the corporate design process. A corporate font that works in all media (screen, print, vinyl etc) delivers a very high level of recognition and resultingly, identification with the company. Most of the existing

Canberra FY Font

Canberra FY is a contemporary and low-contrast serif typeface that shows legibility with personality. Its asymmetric and short serifs render a versatile look, always usable and friendly. As Canberra FY is very legible with its book style in small sizes,

Saya Serif FY Font

Here comes the serif! After her big sisters version, Saya Sans and Saya Semi Sans, meet Saya Serif! With its lightly condensed letterforms and its elegant sharped serifs, this font family is both suitable for text and display use. It’s

P22 Late November Pro Font

Late November is a transitional Antiqua-inspired type design. From the designer: “I started working with the design one dark, late November night, two years ago. After two years of work, I felt I had to draw the line and consider