Tag: display

Arquitecta Office Font

We have adapted the version of our Arquitecta font for use in Microsoft Office™. It only has 4 variants: regular, italic, bold and bold italic. Font weights have been named in a way that can be clearly shown up in

Yard Sale Font

Last year I put out my old yard sale sign and the city told me it was violating a bylaw for being too ugly of a sign in a public place. Not this year! This year I used BLKBK’s ‘Yard

Frankfurter Font

A truly fun typeface that emerged in the 1970’s and remains popular to this day. This heavy sans serif face with curved terminals has been used extensively in display typography where a modern, but informal appearance is needed. Designed by

Acta Poster Font

First designed for chilean newspaper La Tercera in 2010, Acta family is a clean and fresh type system, while enough conservative for newspaper setting. The complete Acta Type System contains Acta and Acta Display both with six weights with matching

YWFT Wellsworth Font

YWFT Wellsworth is the lovechild of that wayward 70s Julia Script and a massive-shouldered fellow with a big black beard and a laugh that rolls like thunder. Formerly known as a handset only design, YWFT Wellsworth is now a powerful,

Filmotype Western Font

Inspired by French Antique reverse-stress types of the 1880s, Filmotype Western was released in 1955 to expand its Flat Serif category. Popular in broadsides, circus posters and advertisements at the turn of the 19th century, Filmotype Western will add old

Como Font

Como is a modern rounded sans-serif family designed by Ryoichi Tsunekawa and the whole family consists of 8 weights from ExtraLight to Heavy. The basic skeleton of their letterform was designed geometrically and their ends were rounded out. The sophisticated

PiS Lietz Berlham Font

Need a perfect typeface for your post-apocalyptic shooting game? A documentary about suffragettes? Your vintage themed coffeeshop? PiS Lietz Berlham! Boom! Just as his straighter brother LIETZ Lindham, Lietz Berlham evokes the spirit of the 1920s and 30s. Hand-drawn and

Graphique Pro Next Font

The original Graphique Pro was designed by the famous Swiss designer Hermann Eidenbenz in 1945 and included one outline shadow style. His idea of a very narrow, very economic headline font became increasingly more popular over the last decades and

Bassanova Font

Bassanova is a dynamic display font inspired by lettering on the “Love in the Afternoon” movie poster by Saul Bass. The font captures the minimalistic, yet very distinct look that is so typical for his designs. Bassanova offers four versions

Sketch Caslon Italic Font

Sketch Caslon Italic is a hand-rendered display typeface with its formal base in the structure of the types of William Caslon. There has been a renewed interest in hand-lettering and fonts based on hand lettering in independent music – Sketch

Korb Font

Korb is a rounded sans serif family of four styles. It features a narrow geometric construction inspired by DIN letter shapes along with more unusual details like open counters and smooth connections between shoulders and stems. This makes the family

Clasica Sans Font

Clasica Sans is a fresh and contemporary typeface, consisting of 7 standard fonts plus italics. It is perfect for publishing and print design. Clasica Sans comes in various weights, working well into paragraphs with small and large text sizes. Regardless

Felt Noisy Font

Counting four variations for each letter and two for the numbers, Felt Noisy delivers a cool organic feel with a strong and spontaneous attitude. The typeface was drawn with a bad felt tip pen? and resulted in two rather nice

Vekta Neo Font

The Vekta Type System is part of a larger, interconnected grouping of 3 families: Neo, Sans & Serif. The goal was to develop a family designed along a common skeleton and matrix that would allow for interchangeable usage along a

Plug Font

Plug is an experimental, curvy, display typeface designed by Superfried. As it’s name suggests, it features ‘plugs’ within all the glyph counters. Plug has a very retro feel and its chunky structure leads to a distinct, high-impact display font. Plug