Tag: display
Supra Rounded Font
“Supra Rounded” is the newest addition to my big Supra family. It really rounds of the huge family with a friendly design, that makes it an excellent and elegant text-typeface. It is an OpenType family for professional typography with an
The Sweetest Thing Font
The sweetest thing is handmade fresh typeface, created with brush and ink. contemporary approach to design hand-painted natural and also a combination of delicate script with an irregular baseline. Suitable for use in watercolor design or as a hand brushed
Franklin Gothic Raw Semi Serif Font
When drawing a new font, there is a time when the final form is found – almost – but the curves are not slick and clean yet, that’s what I call the “raw” form. Raw – no sweeteners added! In
Uptown Sans Font
What if Jim Flora (a record cover designer from the 50s), Saul Bass, and Eric Carle got together for tacos and made a typeface? That’s the vibe of Uptown Sans. It’s a little weird, a little loud, and full of
TT Coats Font
We've created a hand written hand-made antiqua with a lively character for short emotional inscriptions. TT Coats will warm you up in a cold day and add a little kindness and easiness into any lay-out. Lines typed with this typeface
Greycliff CF Font
Rugged, hearty, and warm, Greycliff© CF is a versatile font family. Strong capitals and a smooth, open lowercase are effective in a variety of applications. The geometric, near-monoline construction lends Greycliff a classic durability, tempered by softened edges and vibrant
Adorn Garland Smooth Font
Adorn Garland is a script face that runs along a different, and somewhat “vintage” direction. Rather than deriving its strength from a heavy skeleton or structure, it uses its sense of contrast, its light touch upon the page, and its
Zega Grot Font
Celebrate good times with Zega Grot family! This font is the companion of Zega Text but less “serious” than its predecessor. The Grot version has old vertical proportions, with higher capitals and asc-descenders, height difference between capitals and ascenders, beyond
Citadina Font
Citadina font family has been designed for Graviton Font Foundry by Pablo Balcells in 2016. It is a sans serif typeface with a geometrical, mechanic, neutral appearance and a slightly condensed design which makes it particularly effective for space economizing.
Wanih Font
Style is an expression of individualism mixed with charisma. And Wanih is something that will fill between. There are more than 114 glyphs in the font including Stylistic sets, Ligatures, Contextual Alternates etc. OpenType features with Stylistic Alternates, Contextual Alternate
Grenale Slab Font
Grenale Slab adds to the new standard of elegance within the Grenale family. Not your typical slab, Grenale has some unique forms that give it a look all its own. This glamourous slab still draws much inspiration from Grenale’s Didone
Handelson Font
Handelson is a collection of 6 handmade typefaces with authentic and organic feel. It contains three scripts, one non-connected script and two all caps geometric sans serifs (Block letters). Textures and rough edges are emulating handwritten and printed looks. By
Semilla Font
I spend a lot of time following two obsessions: packaging and hand lettering. Alongside a few other minor obsessions, those two have been my major ones for so many years now, I’ve finally reached the point where I can actually
Quotes Font
“Quotes” is the second typeface calligraphed by Yani Arabena, designed along with Guille Vizzari and Ale Paul, for Sudtipos. Being thrilled by the use of the pointed brush, spontaneous messages, gesture and freshness to represent inspirational phrases and quotes written
Merengue Script Font
Merengue Script is the second typeface designed by Panco, once again together with Ale Paul, who supervised the whole development. In this opportunity, the process of shape research and the systematization of signs led him to dive into new waters.
Scrapbooker Font
After previously collaborating on the bestselling Distillery Set, Carolina Marando and Alejandro got together once again to create this Scrapbooker Set, a new series of fonts that multiply the possibilities. One reason scrapbookers became a kind of design demographic is
Salamat Font
Since the release of his first typeface, Zulia Pro, Joluvian has spent his time dedicatedly experimenting with an array of calligraphic styles and typography, before starting on his second typeface, Salamat. The journey began on a trip to Asia, where
Brownstone Slab Font
Alejandro Paul’s Brownstone Slab is based on his own popular, award-winning, Brownstone Sans typeface. Like the original Sans, Brownstone Slab is a 21st-century design, influenced by the Victorian decorative motifs of the ironwork and carved decorations of New York City