Tag: display
Globa Font
Globa is a low contrast round typeface that resembles American ‘Sign Painting’. The upper portion of the characters is bigger than the lower one, what gives the font a more playful and friendly personality. Another remarkable feature is its hooked
Crown Heights Font
Persisting through generations, fount of philosophies declaring divine right: On top of the dais, on top of the throne, on top of the head, Crown Heights represents the pinnacle of power and prestige. Published by BLKBKDownload Crown Heights
Vissal Font
Vissal is a blobby, brushy calligraphic style typeface design. The design contains 298 glyphs with Opentype Standard encoding, Multi-Language support, Stylistic Alternates, along with special ligature options. Published by Irwan WismoyoDownload Vissal
New Speak Font
Oldthink brothers beat the blackwhite, but that’s crimethink, comrade. Get down with New Speak speedwise and unspeak any thoughtcrime. Published by BLKBKDownload New Speak
Stellar Font
Stellar is a slightly condensed sans serif type with a taller x-height to give it legibility and personality. It comes in four weights and was designed to give purpose to your ideas, galactic or atomic Published by Pangram Pangram Download
Charlevoix Pro Font
Charlevoix is a beautiful display typeface. It is strong and wavy like the Quebec region's beautiful landscape. Its slightly rounded corners remind us of older prints where letters were never sharp at the edges. It boasts 325 meticulously crafted glyphs.
Merlo Grotesque Font
Font Merlo Grotesque is the younger brother of Merlo Regular & Merlo Round is characterized by eighteen different varieties – lower and uppercase characters. It is inspired by a You And Me Monthly published by National Magazines Publisher RSW “Prasa”
Bw Modelica Font
Bw Modelica is a minimal, robust, reliable & pragmatic geometric sans. Its clean shapes and generous x-height makes it a very competent face for both, display and body copy purposes. It’s available in 8 weights with matching oblique italics. The
Marvaloha Font
Designed by Marloes Versluys, Marvaloha is based on the handwriting of an Advertising creative director. The casual but powerful strokes he uses for sketching are also visible in his writing. The Marvaloha font family consists of the original Marvaloha Regular
Pier Sans Font
Pier Sans is a modern and structured typography. The idea was to create a slightly off geometric font that would look as good big or very small. It was made to fit your everyday designs and text needs. Published by
TT Slabs Condensed Font
TT Slabs Condensed it is a condensed version of our TT Slabs font family. This new version is designed for strong headlines and design presentations. Very well suited for designers who create Identity and logos, as well as for interior
Arkibal Display Font
Display version is a little different from Sans family, where “a” is the center of the whole font. And letters “l, b, d, p, q and t” is the moved slight angle. The idea was to make two versions with
Good Thang Font
Despite any and all convictions to her name, the world’s preeminent television hostess built an empire, even managing to fold the world’s preeminent television Cajun chef into her domain. The upshot is that readily available gumbo recipes are a Good
TT Compotes Font
Fontfamily “Compotes” was created with love and with care about small collections of “hand-made” fonts. We have created a perfect product for the decoration of home design, small barber’s shops, cafes and bakeries. This fonts is ideally combined with any
Retro Grade Font
I failed fourth grade until my teacher got sick of my ’80s TV references and knocked me all the way back to Retro Grade. I started down the corridor and my heart sank as I sauntered past the reality-artificiality barrier.
Extra Mile Font
Walked to the bone and back but still on his feet. Already there but peeling off each Extra Mile and eating them like oranges. Already eaten but built for the buffet. Published by BLKBKDownload Extra Mile
Sangli Font
It started in 2007 with Chennai, the first of a three-part series of sans that I envisioned with slab serif counterparts. Each font would differ from the others in how the stem terminals were expressed. The initial font was extremely