Tag: distressed
Bad Habits Font
Brother Radolf the Penitent enjoyed a peaceful life of prayer and penance… Until marauding heathens sacked his abbey and burned it to the ground. Now, there’s no more Mr. Nice Monk–he’s out to lash the unfaithful, wearing his Bad Habits.
1805 Jaeck Map Font
This “Pro” font is mainly inspired from the engraved characters of a German Map depicting Germany’s roads and parts of surrounding lands, edited in Berlin probably in the end of 1700’s. The engraver was Carl Jaeck or Jaek (1763-1808). The
750 Latin Uncial Font
This font was inspired from the Latin script used in european monasteries from circa 5th to 8th, before the Carolingian “Caroline”. It was a regular script, rounded, written slowly, used mainly for specially meticulous books, with a little few of
Drive Thru Font
Duncan loves the Drive Thru. He’d drive thru, and thru, and thru, whipping his insatiable appetite into a frenzy. But the glory days came to an end when cheeseburger grease slicked his steering wheel so smooth he couldn’t turn in
1968 Garaffiti Font
This font was created inspired by the paint brush letters pattern in use in the 60 – 70’s for the protest slogans tagged on the cities walls. By this distant period, we didn’t commonly used aerosols like today, and often
1543 Humane Jenson Font
In 1543 the well-known “De humani corporis fabrica” treatise on anatomy by André Vesale, was printed by Johann Oporinus in Basel (Switzerland). Various typefaces were used for this work, mostly in Latin but including Greek characters. Its Jenson-type font was
CA Postal Font
CA Postal is a cute and clever little stamp-font. It was originally intended for a record-cover only, but when the artist wanted all lyrics printed in the booklet, it was time for a font. The initial inspiration was a moveable-stamp
2011 Slimtype Font
This light manual font, with two styles, is a looking like slab serif or typewriter pattern. It is containing Western and Northern European, Icelandic, Baltic, Eastern, Central European and Turkish specific characters, plus old style numerals, ct, st and f
1776 Independence Font
1776 Independence was designed inspired mainly from the font used by John Dunlap in the night of 1776 July 4th in Philadelphia to print the first 200 sheets of the Congress’ Declaration of Independence establishing the United States of America.
1785 GLC Baskerville Pro Font
This family was created inspired from the well-known Baskerville Roman and Italic typefaces created by John Baskerville, the English font designer. We were inspired from the original family sent by Baskerville’s wife after he was death. The Baskerville’s full collection
1864 GLC Monogram Font
This family of two characters monograms and initial letters was inspired from a French portfolio containing about two hundred examples of ” Chiffres à deux lettres ” destined to engravers and jewelers, published in Paris in 1864, drawn by French
1689 GLC Garamond Pro Font
This family was created inspired from a Garamond pattern set of fonts used for an edition of “Remarques critiques sur les œuvres d’Horace” by “D.A.E.P.” published in Paris in 1689 by two different booksellers : Deny Thierry and Claude Barbin.
1529 Champ Fleury Pro Font
In 1529, Geofroy Tory, French scholar, engraver, printer, publisher and poet, was publishing the well known so called “Champ Fleury”, printed by Gilles de Gourmond, in Paris. It is a fully illustrated handbook where the author explain how to drawn
Just Wright Font
They had come for justice. It had been on order for centuries and they carried the bill their ancestors bestowed upon them. They came as a nation seeking her grand fleet, long under the nurturing of a great ship wright.
1491 Cancellaresca Font
This font was created inspired from the very well known humanistic script called Cancellaresca. Published by Gilles Le CorreDownload 1491 Cancellaresca
1871 Dreamer 2 Pro Font
Like our first “1871 Dreamer Script” This script font was created inspired from a lot of manuscripts, notes and drafts, written by the famous american poet Walt Whitman. However, it is a very different font, with numerous different ligatures, alternates