Tag: distressed

Sofia Rough Font

Based on the popular Sofia Pro typeface, Sofia Rough is a multifaceted font family with different eroded variations. Sofia Rough contains sixteen fonts and two eroded sub families. With Sofia Rough Black for uppercase and Sofia Rough Script for lowercase

Azalea Rough Font

Azalea’s careful, inky strokes reference classic brush script styles of the 1950s, but its jaunty angularity is distinctly modern. Artfully irregular thicks and thins lend it an organic feel. This rough-edged version is a rustic complement to Azalea Smooth. Azalea

Aquinas Font

Leading British designer David Quay created this elegant Roman typeface with strong, classical letterforms. Aquinas creates a graceful, rough edged pen-on-parchment effect and is the perfect choice where an expensive, upscale look is required. Published by LetrasetDownload Aquinas

Ridewell Font

Ridewell is a wood type inspired typeface filled with amazing opentype features. It has a wonderfully warm and letterpress vintage look and it comes in two styles, a regular and a printed/weathered version. Both styles feature a full uppercase and

Conifer Font

Conifer is a blocky geometric sans serif font that adheres to strict grid rules in order to define its corner angles. Its seemingly rigid form is tempered by the soft, rounded corners, and fine notched details present at acute angles

Nexa Rust Font

Nexa Rust from Fontfabric Type Foundry is a multifaceted font system consisting of font sub-families Sans, Slab, Script, Handmade and Extras. Each of these sub-families contains a number of font weights which have a characteristic warm, rough look and display

PiS Lietz Berlham Font

Need a perfect typeface for your post-apocalyptic shooting game? A documentary about suffragettes? Your vintage themed coffeeshop? PiS Lietz Berlham! Boom! Just as his straighter brother LIETZ Lindham, Lietz Berlham evokes the spirit of the 1920s and 30s. Hand-drawn and

Henparty Sans Font

Originally created by the Tart Workshop’s own Crystal Kluge as a logo for an online tea store for chicks, Henparty Serif and Henparty Sans are sure to delight! These fonts are perfect for baby announcements, giftware, any creative kid projects,

Grandpas Typewriter Font

Granpa’s typewriter comes from an antique Olivetti Typewriter Machine I have. This font has all of the effects a typewriter machine can offer you: a regular version, a strong hit version, a light distressed version, a double-hit version and X

YWFT Absent Grotesque Font

In these over-Photoshopped times, a little imperfection can make your work stand out and excel. YWFT Absent Grotesque was created to be an imperfect typeface, exploring ideas found in Univers and Helvetica without the serious attitude and over-marketing. It was

P22 Dada Font

Inspired by Dada typography and poetry circa 1920. The DaDa movement had much in common with the Italian Futurist movement. One might even consider DaDa to be the more impish cousin of Futurism, for both movements shared ideas relating to

Woodie Font

Woodie is a sans serif typeface based on original letterpress type. Published by Mateusz Machalski Download Woodie

Shelton Font

Shelton is a Typeface with a eroded, printed look. The letters seem to be from different alphabets to support the wood type feeling. Every letter has an alternate character. Shelton has a wide language support and also contains arrows and

Marker Aid Font

This expressive face was drawn with a dry chisel felt-tip marker, resulting in two striking, detail-rich fonts. Beyond its remarkable face, Marker Aid is a generous one, packed with 4 alternates for each letter, 2 for each number and yet

Joseph Font

Joseph is a brand new slab-serif face designed by TOMO. With a wood type look – letterpress print technic, this fatty come in handy when is time to design an informal —yet strong—looking communication piece. Ideal for promotion-matter. Published by

P22 Numismatic Font

Originally offered by the Devinne Press in the early 1900s, the Numismatic typeface features the letters, Arabic figures and ornaments used by designers and engravers of seal, coins, medals and inscriptions upon metal or stone during the fifteenth and sixteenth