Radcliffe is a typeface family designed in 2018 by Cosimo Lorenzo Pancini and Andrea Tartarelli, as a reinvention of traditional Clarendon design in search of a “contemporary classic” typeface look. Tailor made for elegance, Radcliffe features the strong bracketed serifs,
Bebas Neue Rounded is the Bebas Neue with rounded corners and terminals. As you know, Bebas Neue is the most widely used free font on the market. This rounded version is a new style where the basic theory and proportion
Arthura is a sans serif font family with subtle reverse contrast, particularly visible in its ultra bold ‘Black’ style. Six weights plus matching italics. Simple geometry and with humanist nuance that adds warmth. t’s a perfect choice for branding, magazines,
Sugo Pro is a condensed geometric sans serif with a robust body, slightly rounded corners and no-nonsense street style attitude. The sturdy, robust design of Sugo makes it an ideal choice for sports branding and street-style editorial use. Lighter weights
Gardenia is a grotesk sans-serif. It comes in 9 weights with matching italics. It was designed by Salvador Rodríguez in 2015/2016. It is characterized by legibility in the medium sizes, black and thin weights are great performers in display sizes.
Introducing Rustic Gold! An expressive Opentype SVG brush script font full of personality and stunning textures. Designed to be versatile, Rustic Gold, can take center stage or be used to beautifully complement your favorite sans and serif fonts. Ideal for
Just like Grandma’s recipe, Recoleta combines a variety of ingredients—from various popular 1970s typefaces—such as the soft and gentle shapes found in Cooper or fluid, angled strokes in Windsor— mixed into one single design that features familiar yet fresh, modern
Antipol is a Sans Serif design that reverses the conventions of a regular Latin Sans Serif. With a weight emphasis on the horizontals and its vertical terminals Antipol radiates a 1970s charisma known from the like of Antique Olive. Its
Cheddar Gothic Rough is a hand-drawn, textured display font with regular and italic styles. An all-caps, sans serif typeface with condensed proportions that works great for a variety of display uses. The uppercase characters add distinction with extended crossbars and
Cocogoose is a geometric sans serif typeface designed with straight, monolinear lines and circular or square shapes. Its strong, modernist look has been softened by rounded corners and slight visual corrections that make Cocogoose not only perfect for logos and
Birthed from leftover “bits” while crafting a logo. Intended for singular word accenting. Great for logos, headers, and accent typography. Go Big! Published by Weapon of Choice TypeDownload Barbarossa
Hello Christmas is the christmas-themed version of Zetafonts’ Hello Script family including a set of Icons (designed by Cristiana Pezzatini), both featuring multilayer color fill. An high contrast calligraphic script designed by Cosimo Lorenzo Pancini, featuring monoline swashes and terminals
Blond is modern sans serif family with 22 members – 11 weights from Thin to Heavy with matching Italics. Distinctive, recognizable and uniform, Blonde family is well balanced typeface that will find appliance in any situation – from editorial design
Magnite is a handwritten brush font jam-packed with character and authentic charm. Designed to be versatile, Magnite is perfect for branding projects, editorial work, invitation design, product packaging, and everything in between! What’s Included? 1. Magnite – The original handcrafted
Zierde is a take on early advertising, small-copy grotesks of the late 19th/early 20th century, and is largely inspired by Miller & Richard’s own range of Grotesques. More importantly, Zierde is accompanied by a large set of ornaments (+200) which
Mastro is a contemporary humanist sans serif. The lowercase shapes are simple yet distinct, its organic design (specially the italic) are based on different stroke modulation ideas combined into a coherent whole. The uppercase is inspired in roman capital proportions
Alliance contains 28 weights, 14 uprights, matching italics and contains over 592 glyphs with extensive Western, Central and Eastern European language support. Inspired by Industrial era types from the end of the 19th century, Alliance attempts to follow traditions of
