Tag: editorial
Fairwater Serif Font
Fairwater’s aesthetic derives from the simplified, forgiving letterforms of tattoo lettering – and the pictorial themes that informed early-to-mid 20th-century naval tattoos that evokes 20th-century craftsmanship, maritime themes, and colorful, salty personalities. 386 Glyphs and 26 Stylistic Alternates View the
Haboro Soft Font
Stop trekking through the thick, wintery font forest, and step lightly into the fresh life of the Haboro hyper family. Though simple in nature, the Haboro hyper family provides you with a variety of options. Take, for instance, Haboro Soft,
Fnord Font
Fnord is a contemporary humanist serif typeface, it is ideally suited for display purposes and branding. The family has been designed to be highly versatile, containing a total of 23 fonts – each font features discretionary ligatures, swash alternates and
Luminare Font
Luminare is a serif type family with a strong rhythmical structure, clean cut serifs and balanced proportions. Luminare began life as a personal and academic enquiry into stencilled lettering. The key sources of this research where found in liturgical manuscripts
Henderson Sans Font
The first thought that crosses a type designer’s mind upon seeing a slab serif is: I wonder what it would look if it was serifless. And so, after building Henderson Slab, I followed my instincts and gave it a sans
Queulat Cnd Font
This font is the condensed version of Queulat, but keeping the same features as the original typeface. Queulat Cnd is a hybrid typeface that combines different styles, reflecting charm, freshness and, especially, a strong personality. Since it is a condensed
Henderson Slab Font
A few bold caps drawn by Albert Du Bois for the 1906 Henderson Sign Painter book started me in the direction of looking at how sign painters approached slabs after the industrial revolution. The usual happened from there. My exercise
Matcha Font
We decided to explore the concept of fitness, but from a more natural perspective. With so many people drinking detox drinks and eating raw food, we were inspired to create a font that mixes the ‘strength’ of sports and the
Apollonius Font
Apollonius is a high contrast, display typeface designed by Michael Parson. Packed with Opentype features, this single weight font offers a whole range of options that designers can explore and play with to create stunning layouts. Published by Michael ParsonDownload
Kareemah Font
Kareemah is a humanist typography, composed by roman and italics with 16 styles and 08 weights (800 glyphs) including ligatures, alternates, small caps, old styles figures, fractions, superiors, inferiors and more. Perfectly legible and clean in the long, simple texts
TT Corals Font
TT Corals is a modern humanistic sans-serif which has many typical traits of the beginning of the 20th century. For an increased functionality of the font family we’ve created 6 typefaces of various weights: Thin, Light, Regular, Bold, Extrabold, Black.
Artigua Font
High contrast, sharp endings and geometrical shapes – these are the main features of Artigua. The relation of vertical and horizontal lines reduces with weight – this makes regular weight appropriate for longer texts and black ideal weight for headings.
Gerlach Sans Font
As the foundry’s new flagship family, Gerlach Sans was named after the highest peak in Slovakia. Its functional design is enhanced by a few subtle ingredients, adding life and giving words a more playful voice. The family has eight weights