Tag: editorial
Ainslie Slab Font
Based on the inspiration from Mt. Ainslie and the Ainslie suburb outside Canberra, the original Ainslie adds [these characteristics] to the project. And now the muses of Ainslie are back at work, lending their structure as the foundation of Ainslie
Uniman Font
A clear and simple sans serif typeface. Straight lines are combined with precision curves to form a functional and versatile font best suited for a wide range of applications. Developed to meet the needs of the professional user, details include
Ironstrike Font
Ironstrike pays homage to industrial and constructivist lettering. Rigid shapes and tall lowercase letters evoke strength and technology. Seven weights with matching italic fonts step up to your tough design challenges. Fine light weights emphasize white space and powerful heavy
Chiavettieri Font
Chiavettieri draws inspiration from Humanist types, marked by low contrast between thick and thin strokes and the angle of stress in the bowls of letters. On the other hand, generous x-height, clean angled serifs and sharp cuts in the ball
Mary Todd Font
MaryTodd was created for small texts with a variety of hierarchies. Is condensed to save space. It has a rich set of glyphs: small caps, old style figures, monospaced numbers, numerators and denominators for fractions, etc. It is ideal for
Adorn Pomander Smooth Collection Font
Like the original Adorn family on which it’s based, Adorn Smooth provides a suite of distinctive typeface designs designed to complement each other rather than match exactly. Adorn Smooth revisits 6 faces from Adorn — Pomander, Serif, Slab Serif, Engraved,
Borda Font
A carefully drawn geometric typeface. Exacting angles are combined with smooth corner details to form a clean, legible font with a modern appearance. The compact nature of the letterforms allows for great use of space across text layouts. Details include
Nauman Font
A modern humanist sans serif made for the screen. Broad open letter forms are combined with precise geometry to create a functional and legible font that’s ideally suited to the web and on-screen applications. To reinforce readability and create more
Aesthet Font
Aesthet is a sans serif type family of 4 weights. Based on the personal experience of rural living, Aesthet is a reflection to embrace simple, community and nature inspired lifestyle. The idea created during experimental exploration demonstrates the evolutionary transition
Byker Font
Byker is a geometric sans serif font that blends technology with handcrafted skill. The letterforms are constructed digitally from a technical grid and overlaid with handmade curves. The combination of this process creates a strong, organic font that is precise
Kyrial Sans Pro Font
Designed in 2011 by Olivier Gourvat, this font family has generous proportions with a range of weights make it a versatile family for print and web design work. Kyrial Display Pro is also a pratical typographic choice to express strength,
Panton Font
Panton has been expanded with Panton Narrow! It has 9 uprights and 9 matching italics ranging from Thin to Heavy. NEW! Update 3.0 What’s New: • New Narrow version of 18 weights • Bulgarian Localization Support • Tabular Figures •
Glober Font
The Glober font family includes 18 weights – nine uprights with nine italics. It is characterized by excellent legibility in both – web & print design areas, well-finished geometric designs, optimized kerning, excellent web-font performance and legibility etc. Inspired by
Seconda XtraSoft Font
Seconda XtraSoft is the extra soft companion of Seconda and Seconda Soft. Friendlier, easier on the eye, more informal, more fashionable — but still the refined and reliable Seconda. Seconda XtraSoft’s extra softness comes from the moderate rounding of both
Cervo Font
Font Cervo is the younger sister of Kapra. It is characterized by eight different varieties – lower and uppercase characters and in contrast to Kapra is “slimmed” version (from Medium to Thin). It is inspired by a You And Me
Laski Slab Font
Laski Slab is a comprehensive suite of 20 fonts conceived for editorial purposes. The type family was designed by Paula Mastrangelo, an Art Director with extensive experience in editorial design specialized in corporate communication. Originally developed for an online children’s
Breakers Font
Breakers is a sans serif originally conceived to be a display typeface. Works great in text also, but the diversity in weights is its strong point. It is easy to achieve that high contrast using thin against the ultra weight,