Tag: editorial

Tans Font

Tans originated in the idea of creating a modern, clear sans-serif with a friendly flair. The design then drove into a more heavy and edgy direction for the bolder weights. Tans is used best in small to medium sizes, in

Harpagan Font

Harpagan is an experimental type family characterized by scalable construction from mono linear grotesk to display bold. I’ve designed this typeface after my trip to Kyrgyzstan, Ubzbekistan and Kazachstan, where i’ve been impressed by impact of Arabic script in Asian

Vidocq Font

Vidocq is a single weight typeface designed for use in headlines and titles, inspired by the woodcut styles of the 19th century. It’s rounded forms and dark stroke translate into a bold yet friendly appearance coupled with a narrow proportion

Bw Seido Round Font

Designed by Alberto Romanos, Bw Seido Round is a semi condensed font family with rounded corners striking a gentle balance between minimal strict geometry and typographic refinement, conveying a subtle industrial yet friendly feel. It consist of 12 styles (6

Didonesque Stencil Font

Less is More. This stencilled version takes away some of Didonesque’s structure, while adding another level of distinguished style and supreme elegance. The “Elegante” fonts epitomise the style required for high-end fashion and beauty applications with their crisp curves combined

Ballarih Font

Ballarih is a contemporary humanist typography, including 16 fonts with 08 weights and italics. Characterized by a prominent x-height and excellent readability for both web and print. Ballarih contains 820 glyphs including tabular figures, ligatures, fractions, small caps, alternate glyphs,

Radal Font

Two times awarded on Bienal Tipos Latinos 2012 and 2014, Radal is one of the most expected releases for all those who know well the Latin American type scene. Inspired by the capricious and temperamental southern Chile geography and the

Maipo Sans Font

Maipo Sans is a modern typeface inspired by the mountain landscape of Cajón del Maipo, Chile. Its forms are inspired by the first sans serif European Humanist fonts of the twentieth century along with a touch of reverse contrast. This

Portoluce Font

Portoluce is a Roman typeface. These fonts are delicate and highly readable at very small sizes but reveals all its strength and personality when used at big sizes. The contrast of the sharped serifs provides a fresh and very contemporary