Pressio Stencil brings Pressio's square counters and super elliptical curves to the stencil genre. The result is Mid-century Modern with a touch of packing crate. With four widths and five weights, it's far more versatile than most stencil families. The
The concept of Biscotti rose from a personal research into a system of styles that we commonly consider “vintage”. One above all, the Victorian typography that has been rediscovered and widely re-studied during the 70s. Today, thanks to the technology
Campuni is a sans-serif typeface that can be described as an “upright italic”: its letters are modeled on the handwritten forms of italics—but without the slant. This gives Campuni a contemporary, charming, and trustworthy character. As with most modern sans-serif
Fuse Vol 2 is an extension to our popular Fuse type family. All of the corners of the typeface’s character are rounded, making Fuse Vol 2 friendlier and more amiable variant of the original Fuse. Designed with powerful OpenType features
When angles (and lack of) are important, this font was inspired by ancient roman architecture where strength and support were achieved through angles. This typeface benefits from large usage. In fact, many national magazines have turned to Colosseum over the
Emy Slab is a slab serif based on the classical proportions of Egyptian typefaces but with soft terminals that give the font a more friendly and modern look. Emy Slab consists of two subfamilies of 7 weights, ranging from Thin
Stereonic is a geometric display sans influenced by Art Deco style. Its 38 fonts across 5 weights offer the possibility to convey numerous moods and styles typical for different decades. As the name suggests, the music posters were considered as
Stena is a very functional sans serif typeface with calligraphic feel, especially designed for contemporary typography. This family features deep and sharp ink-traps as part of its design. Thanks to its proportions, solid and balanced forms, combination of straight and
Nutmeg is a geometric typeface with a slight flavored touch. Although its structure is stick to the traditional forms, its details transform this typeface in a boldly project that separates it from other geometric fonts. Nutmeg’s texture can be perceived
Porta is an all-caps sans serif that will look stunning for your designs. It presents a simple clean tone that’s confident yet smooth. It also combines futuristic and geometric touch to resemblance a balanced proportion. Features: – Uppercase in 2
Bulletto is a bold display script font. Made for logos and headlines, it features a slight slant, connecting letterforms and a big x-height. Opentype features include ligatures, swashes, alternate finals and a full set of uppercase alternates. The complete family
Arturo is a sans serif family designed by Francesco Canovaro as part of his research in the digital reinvention of handmade brush lettering. Marrying a fun, playful approach to letterforms to the versatility of a text family with multiple weights
TT Wellingtons is an attempt to combine the style of English humanist sans-serifs of the early 20th century with the requirements for modern geometric grotesques. Our main task was to preserve the feeling of hand-written origin of the letters while
Jozef is a serif typeface family with modern character and a firm voice. It is equally suited to setting text on screen and in print. With eight weights, matching italics, and decorative capitals it offers a plentiful typographic range, and
Botany is a distinct, hand-drawn display font with flourish, text, regular, and italic styles. This typeface was designed to be unique and beautiful, yet functional. The defining feature is the multiple flourished capitals that evoke a natural elegance and get
Palermo is a rounded bold display font trio with regular, outlined and sectioned. This all caps font specifically developed for contemporary design styles and layered font design, making it really simple to layer these fonts together perfectly. These styles have
Hello Script is a high contrast calligraphic script designed by Cosimo Lorenzo Pancini, featuring monoline swashes and terminals and strong, round body shapes designed with a parallel nib. It covers over 40 languages that use the Latin alphabet, with full
Tecna is a modern sans typeface with straight cuts, rounded angles and curved thinnings at the endings that make the letter shapes fresher. The rounded characters are squarish giving to the layout a very structural appearance. Its wide proportions give