URBANI is the result of a mix between Neohumanist and Neogrotesque types. The subtle narrowness of its proportions makes it ideal for composing extensive blocks of text. The slightly superior height of its ascenders, the wider proportions of its counter-forms,
Yoshida is a modern sans serif made up of 2 widths, 8 weights and their matching italics offering an array of uses and applications with it’s 32 styles. The weights range from a delicate Thin, to a punchy Black that
Aristotelica is a sans serif rounded geometric type family. This font shows its strengths mostly in display uses and logo design. A text variant, Aristotelica Text, has been developed for 7 out of the 8 display weights, applying slight corrections
Introducing the Buckwheat Opentype SVG Font Collection ———— Opentype SVG Fonts require Photoshop CC 2017 or Illustrator CC 2018 (or newer). TTF fonts are included (See screenshot No.4) and these work universally ————— What the heck are Opentype SVG Fonts?!
Designed by Cosimo Lorenzo Pancini and Andrea Tartarelli, Kabrio is a sans serif typeface for the lovers of minimal design, and great curves. It features four different corner treatments to offer variation in display and logo use: the “alternate” variant
Gilam is a sans serif font with semi-condensed proportions. The typeface was based on the famous DIN but combines its popular neo-grotesque look with characteristics, such as the pointed edges in the “W” and “M” as well as the outward cut terminals, which
Neato Serif Rough is a hand drawn, quirky serif font with a textured, letterpress appearance. It features stylistic alternates, standard and discretionary ligatures, and swashes to add options and flair to your typography. The typeface has a unique blend of
Umba Sans is a contemporary typeface designed by Anita Jürgeleit. The undulate shaped curves create a new highly aesthetic appeal in an unexpected manner. Therefor Umba Sans fulfills your corporate identity needs as well as your editorial demands. 30 styles
Karlo is a super family of several branches, originating in the same lightweight skeleton. The lightweights are based on a pen of an even stroke-width. Inspired by the writings of calligrapher Edward Johnston, the family moves on in two directions
Zing Script Rust™ is a type system consisted of 37 fonts. This incredible font family has 5 different weights and three different texture effects which makes it perfect for setting great layouts, headlines, logotypes. The bundle consists two subfamilies –
Neufile Grotesk font family has its roots in one of the earliest sans-serif designs commercially available, highly legible sans serif typeface very well suited for any display and text use. Neufile can be effortlessly applied to a wide range of
Freehand is a type system designed by Debora Manetti and Francesco Canovaro to emulate the natural appearance of handmade brush writing. Open type ligature substitutions are used to randomly alternate between different versions of each character to give the final
Bouncy Castle is a a playful, handwritten, and modern calligraphy font family with 4 sets of alternative letter styles to effortlessly switch between for maximum creativity and authenticity. The family was designed to look incredible within wedding and event invitations,
Madden is a bold, single weight typeface designed for use in titles, editorial design, branding or any other setting that requires capturing attention. With a bold, rugged stroke, inspired by the wide brush used in hand made protest signs, this
Pressio Stencil brings Pressio's square counters and super elliptical curves to the stencil genre. The result is Mid-century Modern with a touch of packing crate. With four widths and five weights, it's far more versatile than most stencil families. The
The concept of Biscotti rose from a personal research into a system of styles that we commonly consider “vintage”. One above all, the Victorian typography that has been rediscovered and widely re-studied during the 70s. Today, thanks to the technology
Campuni is a sans-serif typeface that can be described as an “upright italic”: its letters are modeled on the handwritten forms of italics—but without the slant. This gives Campuni a contemporary, charming, and trustworthy character. As with most modern sans-serif
