Tag: editorial  

Sequel Rounded Font - Image 1

Sequel Rounded  Font

Unfortunately we rarely meet typefaces which still show the formal quality of the time of our grandfathers or even the technical progress in their interior with the design of their exterior. A rare example is Sequel Rounded whose shapes combine

Isabel SemiCondensed Font - Image 2

Isabel SemiCondensed  Font

Isabel SemiCondensed, together with Isabel Condensed and Isabel were made out of necessity to create a new font for children and teenagers, that could be enough friendly and versatile for text in words or even easy-to- read long texts.  The

Diploma Script Font - Image 3

Diploma Script  Font

Diploma Script was born from merging classic calligraphy and contemporary tools. The Copperplate style, which served as baseline for the development of the font, mixes harmoniously with brush pen drawing techniques that give Diploma Script a modern touch. The typeface

Honeydrop Font - Image 5

Honeydrop  Font

Savor the sweet script of insigne design’s new Honeydrop. This decadent delicacy of a font features a unique form with an Eastern flavor that’s great for projects like organic or all-natural food packaging and branding. Mimicking the strokes of  a

Makozin Font - Image 9

Makozin  Font

Makozin is a humanist typeface with a stylish appearance. Designed with a more fluid approach, makozin has more movement and curvature within stems, an angled stress and visible modulation. Together these features give a strong presence of the hand providing

Quiroh Font - Image 11

Quiroh  Font

Quiroh is a functional typeface that expresses both artistic life and emotion. Taking its inspiration from the industrial revolution of the 19th Century where romance and science coincided. With a cushioned finish and designed according to traditional conventions, the sentiment

Veotec Font - Image 12

Veotec  Font

Veotec is a classic humanist sans that skilfully works for both screen and print due to its steep and precise angles enabling more negative space. Not only does this methodical approach improve legibility and readability at small sizes, it  allows

Jotia Font - Image 13

Jotia  Font

Creating a combination between serif and sans serif typefaces, Jotia utilises the best of both worlds, resulting in a unique and modern neo-humanist font family. Taking its inspiration from lapidary inscriptions rather than pen drawn text, Jotia uses triangular  serif

Fibra Font - Image 15

Fibra  Font

The font is actually not a revival of ‘Avant Garde’—by Herb Lubalin—but it takes its spirit. Fibra is a geometric sans serif, yet without the typical structural strictness of these kind of fonts, that represents experimental type design. This  can

Center Slab Font - Image 16

Center Slab  Font

A funny thing happened when we added serifs to our best-selling Center family: its look went from digital to analog. Maybe it’s because slab serifs have their roots in 19th Century ‘Egyptians,’ or because monoline serif faces inevitably suggest typewriters.

Pressio Font - Image 17

Pressio  Font

Pressio is a study in doing things backwards. It began with the weight that’s usually drawn last: the ultra-compressed black. This was squashed down vertically in increments to make the compressed, condensed, and regular widths, then hollowed like a  dugout

Sagarana Font - Image 18

Sagarana  Font

Sagarana is an elegant display typeface rooted in the style of romantic or didones letterforms, however, it is a sans serif with a cleaner appearance. The contrast and the vertical stress maintain the modern style, while the terminals, the finials,