Creating a combination between serif and sans serif typefaces, Jotia utilises the best of both worlds, resulting in a unique and modern neo-humanist font family. Taking its inspiration from lapidary inscriptions rather than pen drawn text, Jotia uses triangular serif
Rosina is a geometric typeface with a distinctive charm. With a captivating fusion of dashing 1920s style and 21st Century sensibility, geometric forms have been taken and optically adjusted to create a sturdy typeface. Tall ascenders and descenders attempt to
The font is actually not a revival of ‘Avant Garde’—by Herb Lubalin—but it takes its spirit. Fibra is a geometric sans serif, yet without the typical structural strictness of these kind of fonts, that represents experimental type design. This can
A funny thing happened when we added serifs to our best-selling Center family: its look went from digital to analog. Maybe it’s because slab serifs have their roots in 19th Century ‘Egyptians,’ or because monoline serif faces inevitably suggest typewriters.
Pressio is a study in doing things backwards. It began with the weight that’s usually drawn last: the ultra-compressed black. This was squashed down vertically in increments to make the compressed, condensed, and regular widths, then hollowed like a dugout
Sagarana is an elegant display typeface rooted in the style of romantic or didones letterforms, however, it is a sans serif with a cleaner appearance. The contrast and the vertical stress maintain the modern style, while the terminals, the finials,
Monolisk is a rigid, gothic typeface that draws on inspiration from East modern and Brutalist architecture. It’s monolithic glyphs, resolute and unapologetic in their construction, create a visually striking design that feels bold and arresting. Monolisk delivers a dominant sense
Excentra Pro, being a sans serif inspired by the typefaces of 1920s, features the humanistic stroke variation with inclined axis. The peculiar elegant drawing makes Excentra Pro suitable for use in magazines as well as in all kinds of branding
The extreme contrast in Didonesque Ghost makes for a highly fashionable style that is sure to capture attention whenever it is used. This family of 10 fonts will enhance any project that requires a touch of class. These fonts turn
Pensum Display is the triangular and spiky packmate of text monster Pensum Pro. Designed to be used for anything big and for nothing that isn’t big, Pensum Display is a sharp, high contrast design ready to take on display and
Heading is a typeface family designed by Francesco Canovaro for Zetafonts. It’s a geometric condensed typeface with high legibility and a powerful personality, created to optimize space on the printed page and on the screen. Heading Pro, coming in eight
Banjax is a humanist sans serif typeface, designed to be highly versatile and efficient in both print and digital environments. The extreme weights are perfect for display purposes, with the central core weights ideal for body copy. While Banjax has
TT Backwards is an experimental font project inspired by the USSR typography and fonts of the late 70s and early 80s. Shop signs, posters, and book design—this is where we drew the inspiration for our project from. TT Backwards consists
Altivo is a proper workhorse sans serif. Sixteen OpenType fonts in eight weights (with true Italics) range from Thin to Ultra. Meticulous care was taken to ensure high legibility in text sizes on the screen. The typeface is designed to
Bw Nista is a clean modernist sans serif font family. Designed to provide a neutral tone of voice, it comes in three different sets each with subtle features portraying different personalities. Bw Nista Grotesk's clean shapes are peppered with subdued
Kamila is a connected script typeface with an elegant feel. It is based on custom lettering and works well in all letter combinations in a harmonious way. This typeface has over 900 glyphs and includes 6 sets of stylistic alternates
Tusker Grotesk is a headline typeface designed for robust and high-impact use. The initial inspiration for Tusker came from postwar typefaces like Haettenschweiler, Impact and Helvetica Inserat which use very high x-heights. Other influences in the condensed end of the Tusker family are
Chopsee is a fun, fluid, versatile font family of 8 weights and matching italics designed by Dan Jones for TypeUnion. The font aims to encompass movement and fluidity with its accentuated curves and terminals. The raised x-height creates more synergy