Tag: editorial

Fragile Font

Fragile is a delicate typeface that’s perfect for creating gorgeous headlines and designs with personality. Based on vintage letterforms from the ’60s and ’70s, Fragile makes an excellent typeface for vintage graphics, and the clean lines and ball terminals give

Traction Font

Traction sports signature serifs, soft edges and a fluid, organic design, therefore it is ‘a sturdy organic text typeface with grip and attitude’. Enlarged, the organic letters are reminiscent of the profiles of off-road tyres and hiking boots. But in

Artico Soft Font

Artico Soft is the rounded version of Artico. Artico Soft Family is a modern sans-serif typeface that is clean, simple and highly readable. Letters in this type family are designed with genuine neo-grotesque and neutral shapes without any decorative distractions.

Isidora Sans Font

Isidora Sans is a new version of the bestselling font Isidora (released a year ago). The absence of terminals gives this new typeface a cleaner and more geometric look, keeping the essence and structure of the classic sans fonts of

Thillends Font

Thillends is a fancy handlettering typeface with a clear style, good mood, and dramatic movement. It allows you to create beautiful hand-made typography in an instant. It’s suitable for headlines, logotype, editorial design, branding, letterhead, poster, apparel design, product packaging,

Brother 1816 Font

This year we commemorate the 200th anniversary of the first sans-serif typeface. and what better way to celebrate, than to design our own sans-serif! Brother 1816 is a very flexible, multifaceted and solid typeface, mixing Geometric shapes with Humanistic strokes

Nula Font

Nula is humanist sans serif family equipped with 22 font files – 11 weights and italics – from Thin to Heavy. It is modern, functional and distinctive, ideal for multiple purposes. Curvy diagonal stems and endings characterize Nula as typeface

Sequel Sans Font

Sequel Sans is an homage to Max Bill, the influential mid-century Swiss architect, artist and industrial/graphic/type designer. Designed in cooperation with the Max Bill Georges Vantongerloo Foundation in Zurich, this is a modern response to the traditional Max Bill themed