Tag: editorial
Apollonius Font
Apollonius is a high contrast, display typeface designed by Michael Parson. Packed with Opentype features, this single weight font offers a whole range of options that designers can explore and play with to create stunning layouts. Published by Michael ParsonDownload
Kareemah Font
Kareemah is a humanist typography, composed by roman and italics with 16 styles and 08 weights (800 glyphs) including ligatures, alternates, small caps, old styles figures, fractions, superiors, inferiors and more. Perfectly legible and clean in the long, simple texts
TT Corals Font
TT Corals is a modern humanistic sans-serif which has many typical traits of the beginning of the 20th century. For an increased functionality of the font family we’ve created 6 typefaces of various weights: Thin, Light, Regular, Bold, Extrabold, Black.
Artigua Font
High contrast, sharp endings and geometrical shapes – these are the main features of Artigua. The relation of vertical and horizontal lines reduces with weight – this makes regular weight appropriate for longer texts and black ideal weight for headings.
Gerlach Sans Font
As the foundry’s new flagship family, Gerlach Sans was named after the highest peak in Slovakia. Its functional design is enhanced by a few subtle ingredients, adding life and giving words a more playful voice. The family has eight weights
Kylo Sans Font
A carefully blended sans serif one part humanist, one part grotesque and a small dose of geometric. Kylo Sans takes the essence of three distinct forms to create a unique, readable typeface with an exact and understated personality. Further, enhancements
Modish Font
Inky but neat. Flowing but controlled. Modish perfectly balances two predominant aesthetics of fashion and lifestyle: the casually cool hand-drawn look, and the pixel-perfect slickness of digital design. This synthesis might be due partly to how it was created: it’s
Haboro Sans Font
Quit trudging through the thick with encumbering fonts, and spring to the front of the pack with the cutting edge sans serif, Haboro Sans. With nothing to clutter up your work, your editorial designs, websites, and software will be sharp
Gineso Font
Michaelangelo. da Vinci. Bellini. Rafael. Masters of Italian art whose names have dwarfed those of many other great Italian artists. Yet relics from these other artists remain, though often unnoticed because of their practical nature. These unknowns are the Italian
CA Texteron Font
CA Texteron is a modern text-font family to cover the most common typographical needs with a minimum of weights. It is aiming for a serious but unconventional look, which is achieved by combining round and edgy forms in the same
La Casa Font
Fontdesign meets architecture – the unique and architectural design of the urban villa “Dupli.Casa” by the architect J.Mayer.H triggered the inspiration for the typeface “La Casa”. Inclinations and curvatures mirror the linear, modern impression of the architecture. The overall impression of
Semikolon Font
Optimal readability by reduced, distinct letter forms. Appropriate for early readers of any age in schools and other educational institutions. SemikolonPlus minimizes the risk of confusing similar characters and therefore is predestinated for the use in text blocks, work sheets,
Bobik Font
Bobik is a display type family with three faces – sans, serif and slab. The family was drawn initially on basic principles described in Jean Alessandrini’s Codex 80 and then further developed, including adding a lowercase and ligatures. With a
Supra Rounded Font
“Supra Rounded” is the newest addition to my big Supra family. It really rounds of the huge family with a friendly design, that makes it an excellent and elegant text-typeface. It is an OpenType family for professional typography with an
Zega Grot Font
Celebrate good times with Zega Grot family! This font is the companion of Zega Text but less “serious” than its predecessor. The Grot version has old vertical proportions, with higher capitals and asc-descenders, height difference between capitals and ascenders, beyond
Pensum Pro Font
Pensum is a typeface for text, text and nothing but text. A pure monster, straight and plain, it will reliably set word after word, line after line and paragraph after paragraph. Sometimes a spark of the sexy, curvy and sharply
Semilla Font
I spend a lot of time following two obsessions: packaging and hand lettering. Alongside a few other minor obsessions, those two have been my major ones for so many years now, I’ve finally reached the point where I can actually
Quotes Font
“Quotes” is the second typeface calligraphed by Yani Arabena, designed along with Guille Vizzari and Ale Paul, for Sudtipos. Being thrilled by the use of the pointed brush, spontaneous messages, gesture and freshness to represent inspirational phrases and quotes written