Tag: editorial

Supra Rounded Font

“Supra Rounded” is the newest addition to my big Supra family. It really rounds of the huge family with a friendly design, that makes it an excellent and elegant text-typeface. It is an OpenType family for professional typography with an

Pensum Pro Font

Pensum is a typeface for text, text and nothing but text. A pure monster, straight and plain, it will reliably set word after word, line after line and paragraph after paragraph. Sometimes a spark of the sexy, curvy and sharply

Semilla Font

I spend a lot of time following two obsessions: packaging and hand lettering. Alongside a few other minor obsessions, those two have been my major ones for so many years now, I’ve finally reached the point where I can actually

Quotes Font

“Quotes” is the second typeface calligraphed by Yani Arabena, designed along with Guille Vizzari and Ale Paul, for Sudtipos. Being thrilled by the use of the pointed brush, spontaneous messages, gesture and freshness to represent inspirational phrases and quotes written

Ranelte Font

The beauty of a classic is that it never really goes out of style. The pure, simple elements which define its greatness only strengthen and solidify with time and exposure–elements like those that inspired Ranelte, the new sans serif from

TT Rabbits Font

TT Rabbits is a super emotional hand-written font family that unites 10 different fonts. We’ve united these fonts with one common theme – childhood. Use these fonts to create any products for kids — children’s books layouts, mobile applications for

Kitsune Font

Kitsuné is modern script display typeface designed by Andrei Robu. Packed with OpenType alternates and graphic glyphs, the subtle and well considered geometric shoulders and beautifully flowing capital forms are bound to impress and be well suited for fashion magazines,

BB Strata™ Font

The font family BB Strata was first designed for the visualization of scientific content of an exhibition and developed for publication. The construction of the letters consists entirely of right angles and 45 °-diagonals only . It contains 506 characters

TT Moons Font

TT Moons is a slim and contrast serif. This font family works especially smart in classic design themes. TT Moons is a typeface of the glyptal modern font family. The ideal application range for this typeface is magazines, books and

TT Pines Font

Imagine you've decided to cut letters out of paper thereby creating a modern sans-serif for a broad application range. What result would you get? We already know the answer! TT Pines is a fontfamily that we've carefully cut out of

Imperija Roman Font

Imperija Roman is a display typeface inspired by stone engraved lettering. Supporting west, central and east European languages it contains over one-hundred discretionary ligatures and a stylistic set for old style diacritics. The original letters were drawn from a memorial

Conglomerate Font

Sans or serif? Square or rounded? Calligraphic or geometric? Conglomerate is both all and none of these things — a subtle yet unorthodox blend of typographic traits resulting in a clean, unique, and versatile font family with large, open counters

Bio Sans Font

Bio Sans is a super neutral sans-serif family for text designed by Ryoichi Tsunekawa and the whole family consists of 6 weights from ExtraLight to ExtraBold and their matching Italics. The basic concept of this family is the same as

Siro Font

Siro is a large x-height sans-serif family for text designed by Ryoichi Tsunekawa and the whole family consists of 7 weights from ExtraLight to Heavy and their matching Italics. The basic skeleton of their letterform was designed simply to create

Quiet Sans Font

Quiet Sans is a super geometric sans-serif family for text designed by Ryoichi Tsunekawa and the whole family consists of 6 weights from ExtraLight to ExtraBold and their matching Italics. The basic concept of this family is not only to

Gomme Sans Font

Gomme Sans is a wide and masculine sans-serif family for text designed by Ryoichi Tsunekawa and the whole family consists of 6 weights from ExtraLight to ExtraBold and their matching Italics. The basic concept of this family is not only