Tag: editorial
Pancetta Pro Font
Pancetta Pro is a squarish sans-serif typeface with semi-closed aperture and pillow-shaped terminals. The shape of a pillow is furthermore used to enliven the boring horizontal stems which are very frequent in Cyrillic script, and get rid of the right
Itoya Font
Itoya is a contemporary sans serif font influenced by Western and Japanese ideologies. A fusion of modern machine-like functions with a warmer, emotional and more spiritual ethic. The marriage of a western precision and eastern expression forms a sharp functional
Stolzl Display Font
Stolzl Display is an original font family designed for headlines, titles and subtitles. Based on the combination of contrasting shapes, the harmony of form and rhythm is fundamental to the design. Inspired by Bauhaus, Stolzl represents, not just the significant
Basil Font
A mix between tradition and innovation, Basil is a unique humanist slab serif well suitable for broad range of design projects – editorial, logotype, poster, etc. With its tall x-height and generous internal spaces, the type family was especially designed
Petala Pro Font
Pétala Pro gave his first steps almost ten years ago. During this time, the quest for perfection had forced several interruptions. It was necessary recalculate the route, tread other ways, discover new maps, and make easy curves. After all, a
Libertad Office Font
Libertad is a sans-serif typeface that mixes humanist and grotesk models – It’s most interesting feature is the combination of balanced regulars with dynamic italics, which makes it a very versatile font for different uses. This special package is a
Basel Neue Font
Basel Neue is a legible and discrete typeface, a sans serif with thickness variation and humanistic touch. The family consists of 8 styles, 4 weights plus their respective italic versions. Download the “OT Features” pdf to know and take advantage
Spumante Font
A slim, semi-connected script with lithely upright curves, Spumante conveys the casual effervescence of its namesake wine. Smoothed brush-script letterforms bounce gently along the baseline, and letters vary slightly in their slant— characteristics that combine to create a very human
Sybarite Font
Sybarite is a fat face that works at any size. Capitals with sweeping curves and sharp unbracketed serifs command attention while charming minuscules expose the amiable side of its demeanor. Sybarite is James Puckett’s revival of the fat face type
Seconda Soft Font
Seconda Soft is the soft companion of Seconda. A little friendlier, a little easier on the eye, a little more informal, a little more fashionable — but still the refined and reliable Seconda. Seconda Soft’s softness comes from the moderate
Pekora Font
To design a font Pekora I was inspired by a You And Me Monthly published by National Magazines Publisher RSW Prasa that appeared from Mai 1960 till December 1973 in Poland. Published by Typoforge StudioDownload Pekora
Regan Slab Font
A precision cut slab serif typeface. Simple curves are combined with sharp angles to provide a readable font with subtle characteristics. Regan Slab is ideally suited to a wide range of applications including magazines, newspapers and handheld devices. Details include
Ainslie Slab Font
Based on the inspiration from Mt. Ainslie and the Ainslie suburb outside Canberra, the original Ainslie adds [these characteristics] to the project. And now the muses of Ainslie are back at work, lending their structure as the foundation of Ainslie
Uniman Font
A clear and simple sans serif typeface. Straight lines are combined with precision curves to form a functional and versatile font best suited for a wide range of applications. Developed to meet the needs of the professional user, details include
Ironstrike Font
Ironstrike pays homage to industrial and constructivist lettering. Rigid shapes and tall lowercase letters evoke strength and technology. Seven weights with matching italic fonts step up to your tough design challenges. Fine light weights emphasize white space and powerful heavy
Chiavettieri Font
Chiavettieri draws inspiration from Humanist types, marked by low contrast between thick and thin strokes and the angle of stress in the bowls of letters. On the other hand, generous x-height, clean angled serifs and sharp cuts in the ball
Mary Todd Font
MaryTodd was created for small texts with a variety of hierarchies. Is condensed to save space. It has a rich set of glyphs: small caps, old style figures, monospaced numbers, numerators and denominators for fractions, etc. It is ideal for