Tag: editorial
Recta Font
Recta was one of Aldo Novarese’s earliest contributions to the massive surge of the European sans serif genre that was booming in the middle of the 20th century. Initially published just one year after Neue Haas Grotesk came out of
Amoretta Font
Amoretta = Little Love. Our sweet Amoretta is optimistic & bright. A charming balance of youth and sophistication, Amoretta is full of opportunity for print (Identity projects, stationery, book design, packaging design) or online applications (eBooks, games, websites). Easy to
Ribera Font
Ribera is a contemporary sans serif typeface including three styles. The Ribera characters have smooth curved spins and little contrast combined with a big x-height and big counters. These characteristics make Ribera ideal for almost any type of graphic design.
Algo FY Font
Algo FY is a singular font family with broken ductus and blackletter aspect. Clearly inspired by calligraphic shapes, each of the three weights have been especially designed as if the tool has changed. With its special articulations and its differentiated
Achille II Cyr FY Font
For our first cyrillic font, we choose to complete Achille FY, one of our favorite Fontyou fonts. Its robust and solid structure was an excellent opportunity to make a cyrillic version of it. Like its latin cousin, Achille II Cyrillic
Pancetta Serif Pro Font
Pancetta Serif Pro is a squarish serif typeface – a natural companion to Pancetta Pro. Its skeleton is a blend of modern serif and slab faces, featuring prominent obtuse pillow-shaped serifs. Pancetta Serif Pro comes in 8 weights with real
Organic Font
Organic was designed to be highly legible and flexible. I wanted to create a very refined sans-serif that could be used for display or body copy, for print or digital. The Opentype flexibility allowed me to expand the look of
Exquise FY Font
Exquise FY, an elegant & distinguée 6 fonts family. Designed by Bertrand Reguron, Gia Tran, Alisa Nowak, Valentine Proust & Elvire Volk With its round and elegant shapes, this new didone typeface is developed in six styles, including a “poster”
Quarca Font
Quarca’s masculine power runs strong across the page with bold self-assurance and a raw energy that courses through its thick veins. Don’t think the continuous, smooth geometry of this semi-modular face is captively chained to the grid, though. Quarca has
Metronic Slab Narrow Font
Metronic Slab Narrow is the condensed version of the Metronic Slab font family. This condensed style is designed for space-saving typography but with high legibility and versatility in mind. This Family also improved the needs of developers and graphic designers
Hackman Font
A geometric sans serif with contemporary lines. Distinctive curves are combined with classical letterforms to produce a clean, linear typeface best suited to identity, mobile and web applications. Details include 9 weights with italics, 500 characters, 5 variations of numerals,
Richler Font
An open, evenly spaced book face designed for quality headlines and enhanced readability in text. Published by ShinntypeDownload Richler
Marianina Extended FY Font
After Marianina FY (Normal and Condensed) discover Marianina Extended a new big sans-serif family of 24 fonts. With its very particular inktrapes, subtle in light versions and more visible in the black ones, each roman (wide and x-wide) has 6
Hansom Slab FY Font
As its cousin Hansom FY, this font has friendly shapes and rounded terminals. Slabs reinforce its masculine and technique appearance. With 3 weights and their accompanying italics, this modern and functional slab font family is well-suited for all kind of
Port Vintage Font
Port Vintage is a new typeface expanded upon the original Port typeface, released in 2013, and being an experimental Didone typeface with a modern twist, inspired by the well known forms of typography masters such as Bodoni and Didot and