Tag: English

Blushes Font

Glitter, flashing cameras and fame – now you know how to deal with this stuff! Freshness and brightness is what defines the Blushes font family, which is created for beauty and fashion industries. Blushes is a vibrant part of you

P22 Ridley Font

Ridley is a calligraphic-influenced, decorative, medieval font combining Roman and Gothic forms. It is named for Nicholas Ridley and similar to the P22 Latimer font. Ridley and Latimer were protestants burned together at the stake in 1555 during the reign

P22 Basel Roman Font

In mid 2001, P22 was approached by a Daniel Garrison, a Classics scholar at Northwestern University about possibly digitizing a long lost “Garamond” typeface. This font was used by Johannes Herbst (a.k.a. Ioannes Oporinus) in 1543 to publish Andreas Vesalius’

P22 Amelia Jayne Font

P22 Amelia Jayne is Ted Staunton’s updated revision and expansion of his own Amelia decorative cap font. Amelia Jayne started as a Roman font to accompany the Amelia initials but has taken on a new life as a Pro Roman

Carina Pro Font

Like Phenix out of the ashes the former Schriftguss hot-metal font “Rautendelein” has come to live again. Carina Pro was carefully extended for multilingual use, and contains a few alternates which can be activated via the swash OpenType feature. Published

Addington CF Font

Addington is a graceful and reliable serif, useful in any situation. Beautiful yet practical, Addington is designed for excellence in text-heavy settings while doubling as a capable and strong display typeface. Complete with seven weights, true italics, and many OpenType

Alys Font

Designed by A. Pat Hickson. An original design. A memorial typeface by Pat for her mother, Alys, who was tragically killed. Published by Red RoosterDownload Alys

Bodoni Condensed Black Font

Bodoni Condensed Black was designed by R.H. Middleton for Ludlow, circa 1930. Digitally engineered by Steve Jackaman. Published by Red RoosterDownload Bodoni Condensed Black