Tag: English

Libra Font

Libra is a font design released for the Mecanorma Type Collection. Copyright 2004 Trip Productions BV. Published by MecanormaDownload Libra

Jubilee Font

Designed by Paul Hickson. Designed by the famous English (type designer) Eric Gill, it was created specially for the Silver Jubilee Wedding Anniversary announcement of George VI and Queen Mary. Published by Red RoosterDownload Jubilee

Thirsty Rough Font

Thirsty Script Rough is a registered copyright © 2015 Yellow Design Studio. All Rights Reserved. Thirsty Script Rough from Yellow Design Studio is the warm and weathered version of Thirsty Script with texture that captures the authentic qualities of letterpress

Claremont Font

Designed by Les Usherwood. Digitally engineered by Paul Hickson. Les never released this completed typeface before his untimely death in 1983. Published by Red RoosterDownload Claremont

URW Clarendon Font

URW Clarendon is a family of 50 serif fonts for only $99. This version of Clarendon was released by URW Studio, (based on Hermann Eidenbenz’s version) in 1994. Clarendon is an English serif typeface that was originally created in England

Ronsard Crystal Font

Designed by Steve Jackaman and Ashley Muir. The original Ronsard Crystal began its life as a single-weight photolettering font in the 1950s. We lliked it so much, that we decided to design four traditional weights to go with the original

Chalfont Font

The typeface was designed after seeing a photocopy of some News Gothic text where the ink had faded on the bottom of each character. As character recognition is generally based on the top half of a character, readability was never

Extension Font

Designed by Les Usherwood, Extension is a modern sans digitally engineered by Steve Jackaman. Many of the weights and the italics were created after Les death. Published by Red RoosterDownload Extension

Leather Font

Leather has three features usually not found in other blackletter fonts: Grid-based geometric strokes and curves: In the early 1930s, blackletter design had already begun interacting back with the modern sans serif it birthed at the turn of the century.