Tag: european

Vendome Font

Designd by Francois Ganeau, Vendome is an intense and sharp serif design. It works great in header uses, and even holds an interesting sense of fashion and style when set in large sizes. Published by URW Type Foundry GmbHDownload Vendome

Norpeth Font

A modern humanist sans serif typeface. The proportions of each character have a strong lateral dynamic that makes it ideal for on screen uses. Also consistent stroke contrast is used throughout each weight to maintain an optical balance. Details include

Ashemore Font

Ashemore developed as a result of my visits to Barcelona, Spain and to Germany, followed soon after by a visit to Asheville, North Carolina. Blending the styles of art and architecture from these three areas may seem initially to result

New Bayreuth Font

New Bayreuth is a new and improved version of the original Bayreuth font (Friedrich Hermann Ernst Schneidler, 1932). New Bayreuth was reworked, redesigned, completed and digitally remastered by Ralph M. Unger for URW++, based on specimen taken from old font

Silent Font

Silent is a semi-serif typeface that combines readability with fluidity in a discreet and clean design. It works great on short texts such as captions, charts and graphs. The soft curves offer a calm rhythm and brings silence and concentration

Uninsta Font

Uninsta is a neutral sans serif font family intended for use across a variety of modern applications in both digital and print media. Geometric letter forms are combined with subtle humanist touches to create a legible, low contrast typeface with

Juhl Font

A geometric sans serif typeface. The square horizontal structure is evenly balanced with smooth curves and arcs producing a clean legible font ideal for on screen uses. Legibility is further improved with the use of consistent stroke contrast and tapered

Didot Headline Font

In spite of its name, this font family embodies the ultimate classic modern advertising typeface, rather than concern itself with revivalism or Didone authenticity. Naturally the spirit of the original Didot faces still exists in this family, but over twelve

Heltar Font

A modern neo-grotesque typeface. Having grown up in Sheffield and been completely immersed in the work of The Designers Republic I became very drawn to their treatment of Helvetica, especially the close tracking of the letter space. This visual investigation

PF DIN Display Pro Font

DIN Display was designed as an alternative to Parachute’s Din Text series. While Din Display seems to retain DIN’s basic characteristics, it shines with its sharper corners and contemporary look. Completed in 2002, it was first released and published in

Kumlien Pro Font

Kumlien Pro is the revival and expansion of a typeface designed in 1943 by Akke Kumlien, the famed Swedish book designer, poet, author, painter and arts materials expert. At the time, being the first major Swedish typeface to be designed

Dolly Font

Dolly is a book typeface with flourishes. The family consists of four fonts, which provide a healthy palette for solving most problems within book typography. Dolly Roman is neutral and useful for long texts. Dolly Italic is narrower and lighter

Blippo Font

Blippo was designed by Joe Taylor for Fotostar in 1969 as a black version of Burko Bold, which itself is based on the unfinished design by the German Bauhaus school. The font was named Blippo Black by Joe’s boss, Robert

LTC Goudy Sans Font

Goudy Sans Bold was originally designed by Fredric Goudy in 1922 as a less formal “gothic” and finished in 1929. The light was designed in 1930 and the Light Italic in 1931. Alternate letterforms are included in these three Goudy

Magna Font

Designed by Herbert Thannhaeuser in 1968, Magna is a simple and clean serif release by URW. Contains language support for West, East, Turkish, Baltic, and Romanian. Published by URW Type Foundry GmbHDownload Magna

Traffic Type Font

Originally designed in 1980, Traffic Type is a font family of 2 sans-serifs and 1 serif. The fonts are European in style, inspired by highway and interstate signage of Spain, Sweden and Luxembourg. These fonts work great in multiple mediums,

Warszawa Deco Font

Warszawa Deco is a typeface based on Polish Art Deco and modernism of the Interwar period and is part of a series inspired by the aesthetics of Poland, circa 1908 to 1939. Published by Brendan CieckoDownload Warszawa Deco