Tag: formal

Alpha Delta Font

“Alpha Delta” the standard paperclip is the basic idea behind this font. By working on it, I changed it so that it doesn’t look too much like a paperclip any more. Published by Wiescher DesignDownload Alpha Delta

URW Geometric Condensed Font

URW Geometric Condensed is the matching complement for the URW Geometric. Including 20 additional condensed styles the URW Geometric Condensed is the space-saving alternative in the URW Geometric family. URW Geometric is a sans serif typeface inspired by the German

Breathless Font

“Breathless” was inspired by movie posters of the “Nouvelle Vague” era. When Jean Seberg and Jean-Paul Belmondo were young and films in black and white. So I named this very spiky affair after that phantastic movie of my youth “A

Neuesanstara Font

Neusanstara font family is about when classic meets modern. Contemporary New sans with aesthetic and elegant shape. Neuesanstara is characterized by excellent legibility both in print and on the web. Consists of 10 unique font styles and weights. Look great

Avea Font

“AVEA” is a new, elegant, friendly and open minded font– designed by Gert Wiescher in 2015 – it has 7 weights with corresponding oblique cuts. “AVEA” is well suited for advertising, logo, billboards, small text, signage, branding, packaging, editorial, posters,

Eleganza Font

“Eleganza” is my most elegant typeface. At least that is what I think! I use it for business cards and everything that has to be elegant with that extra touch. The font comes in pairs for the price of one.

Hard Times Font

“Hard Times” has been hard work, designing a handmade typeface must always have the right balance between rough and smooth, specially with this Times-like face. It has the big European glyph-set, so that it can be used all over the

Vedo Font

The name “Vedo” is derived from the Latin word for “I see”. Vedo is a new, sturdy Sans Monoline in 7 weights and 7 Italic cuts. The “Thin” cuts are free of charge. Yours designing new fonts in the Bauhaus

Feast Font

Feast is a calligraphy style font designed by Alissa Mazzenga. Her hand-sculpted letterforms emanate a powerful, yet delicate presence. Their magic resides in the ethereal movement of fluid wisps of ink, forming soft arched lines and design that stands alone.

Bodoni Classic Font

I became interested in designing Bodoni Classic because of a lazy graphic designer at Jacques Damase publishing house. He had to change a single letter on a bookcover about J. B. BODONI. The French call him Jean Baptiste instead of

Bodoni Classic Pro Font

This is my new, completely worked over and fine-tuned Bodoni Classic for Europe (no Greek and Cyrillic). I have added a set of elegant Swashes (B) and 2 alternating uppercase swirly Initials (C) as well as two lowercase end-letters (D).

Contra Condensed Font

Contra Condensed is the condensed version of my Contra family of fonts. It is very condensed, but not yet narrow. It is well suited in all situations where one needs to save space. Published by Wiescher DesignDownload Contra Condensed

URW Geometric Font

URW Geometric is a sans serif typeface inspired by the German geometric typefaces of the 1920s but designed for modern usability. The character shapes have optimized proportions and an improved balance, the x-height is increased, ascenders and descenders are decreased.

Patriciana Font

Patriciana is a fashionable font. Published by Green TypeDownload Patriciana

Real Talk Font

Real Talk packs the same lip flapping smacks and pharyngeal grunts as any old nonsense. But while a baby can only babble, a grown man can mean something. Put words in perspective, located on the axes of breadth and depth,

Marcellus Pro Font

Our Marcellus Pro was inspired by classic Roman inscription letterforms. Clarity and beauty are embodied in the standard lowercase, while this historically influenced typeface also nods to the powerful presence of the Trajan titling style with its SmallCaps set. When

Quintessential Pro Font

Our Quintessential Pro is based on the calligraphic lettering style known as the Italic Hand. As speed became more essential in writing hands, styles became less formal and more relaxed. Classic, clean, and casual, Quintessential fits a lot of design