Tag: formal
Copacabana Font
Copacabana is heavily based on one of my favourite typefaces Goudy Old Style Italic. It is sharper and more clearly defined than Goudy yet still retains it old style characteristics. The face is slightly angled so is basically upright whilst
Lakeside Font
Originally offered by Filmotype in the early 1950s, Filmotype Lakeside was among its earliest informal style brush script typefaces inspired by sign painter classic brush script styles. Filmotype Lakeside was developed from the original font filmstrips and includes a full
Firmin Didot Font
Designed by URW Studio in 1995, Firmin Didot is a Serif (Antiqua) / Old Style font release by URW. Contains language support for West, East, Turkish, Baltic, and Romanian. Published by URW Type Foundry GmbHDownload Firmin Didot
ATC Rosemary Font
ATC Rosemary is a didone print-font comprised of over 315 characters, producing extreme contrast between abrupt and thin serifs at large sizes. The luxurious feel of Rosemary utilizes not only hairlines and ball serifs, but expresses similarities to Romantic fonts
Canberra FY Font
Canberra FY is a contemporary and low-contrast serif typeface that shows legibility with personality. Its asymmetric and short serifs render a versatile look, always usable and friendly. As Canberra FY is very legible with its book style in small sizes,
Profonts Bureau Font
profonts Bureau is a modern, very legible typeface for business correspondence, memos, faxes, etc. Published by URW Type Foundry GmbHDownload Profonts Bureau
Samantha Script Font
Based on pointed-pen lettering, Samantha features slightly condensed characters and a measured rhythm. It’s named after my niece who shares its optimistic style and discipline. Samantha is available in upright or italic variants, each with regular and bold weights. Samantha’s
Ratio Modern Font
Designed in 1923 by Friedrich Kleukens for the Stempel foundry, Ratio was one of the first metal faces to bring the Didone genre to the forefront of industrial mass publishing as a headline and magazine face. Though essentially modern in
Prints Charming Font
Many of the Prints Charming™ individual character designs are based on script letters which were originally created by assorted New York typographers during the 1940s and 50s and 60s, with some flourish variations added. Some of the best aspects of
Craw Modern Font
Designed by Freeman Craw in 1958, Craw Modern is a serif font release by URW. Contains language support for West, East, Turkish, Baltic, and Romanian. Published by URW Type Foundry GmbHDownload Craw Modern
Compasse Font
Compasse is a semi-condensed sans-serif family designed by Ryoichi Tsunekawa and the whole family consists of 12 style: six weights from Thin to ExtraBold and their matching Italics. The range of styles provides flexibility for title, headline and body text.
Erbar Neo Mini Font
Erbar, designed by Jakob Erbar for Ludwig & Mayer in the early 1920s, is truly a key design from a historical viewpoint. None other than Paul Renner studied Erbar and used this knowledge in the desing of his famous Futura.
Galba Font
Galba is a font design released for the Mecanorma Type Collection. Copyright 2004 Trip Productions BV. Published by MecanormaDownload Galba
Englische Schreibschrift Font
Englische Schreibschrift is a unique and elegant script font release by URW. Contains language support for West, East, Turkish, Baltic, and Romanian. Published by URW Type Foundry GmbHDownload Englische Schreibschrift
Clarendon Text Font
Clarendon Text is a contemporary remake of the truly classic slab serif typeface with a distinctively clear and legible visibility. It is a widely usable text type suited equally well to advertising, books, publications, and a wide range of corporate
Franklin Gothic Pro Font
Designed by Steve Jackaman & Ashley Muir. The original Franklin Gothic was designed in 1903 by Morris Fuller Benton. Franklin Gothic is named after Benjamin Franklin, America’s greatest printer. Our Franklin Gothic Black Condensed is unique because it is designed
Charlotte Sans Font
The Charlotte Sans family of typefaces was designed specifically to co-ordinate with Charlotte roman typefaces in style, weight, and color. Designer Michael Gills created Charlotte Sans on screen with FontStudio software, and has achieved a perfect balance between the humanistic
DeLuxe Gothic Font
Michael Doret was always very aware of the fact that Morris Fuller Benton’s classic Bank Gothic, a longtime favorite of his, didn’t contain any lowercase characters. So he set out to remedy that by designing his all new DeLuxe Gothic,