Tag: formal
Futura Font
Futura. The very name brings to mind jet-age splendor of the highest order, and indeed the text on the commemorative plaque left behind on the Moon by the Apollo 11 astronauts in July, 1969 is set in Futura. There is
Coliseum Font
Coliseum was designed by A. Pat Hickson/Julie Hopwood. An original design and release by Red Rooster. Published by Red RoosterDownload Coliseum
Caturrita Display Font
Caturrita Display is a new version of Caturrita. Better for titles and small pieces, with a large contrast in the heavy weights. It preserves the same structure of Caturrita, but with a more calligraphic touch, in the ligatures and almost
Spire Extra Light Font
Originally designed by Sol Hess for the Lanston Monotype Foundry in 1938 as a fat face, this extra light revival was designed by Ann Pomeroy in the early 90s. Spire is extra condensed with a very retro look. Published by
Adagio Pro Font
Adagio Pro sounds like music, elegance and classic quality. That’s exactly how Adagio Pro carries the message to the reader. Adagio Pro is a rather formal script with very beautiful, generous and swashy upper case that were redesigned, digitized, completed
Bank Gothic Pro Font
If there was an American Typeface Hall of Fame, Bank Gothic, designed by the great Morris Fuller Benton would hold a place of special distinction considering this design has survived so many trends in typographic fashion since being introduced in
Portobello Font
Designed by Steve Jackaman, Portobello is loosely based on Pontecorvo, a design by Aldo Novarese. Published by Red RoosterDownload Portobello
Brigade Font
In searching for a Roman to use there were bits of Bembo,Times,Garamond etc., that I liked and bits that I did not. So I set out to take the best bits of all my favourite Romans and tried to create
Filmotype York Font
Offered by Filmotype in the late 1950s to establish its Formal Script category with this copperplate script, Filmotype York is perfect for formal wedding invitations and formal or elegant occasions while retaining a balanced weight making it both visually stylistic
Canterbury Sans Font
Based on the Morris F. Benton for ATF in 1920, it was not completed for production until 1926. The serif version we released a few years ago was so popular, that we decided to design a complementary sans serif version
Roman Solid Font
Designed and released in 1995, Roman Solid is a retro serif design by URW. Contains language support for West, East, Turkish, Baltic, and Romanian. Published by URW Type Foundry GmbHDownload Roman Solid
Arius Font
Designed by Karl Nayeri, Arius is a font released for the Prime Graphics Type Collection. Copyright Prime Graphics. Published by Prime GraphicsDownload Arius
Poor Richard Font
Designed by Paul Hickson. Based on the Keystone Type Foundry design, circa 1919. The l/c ‘g’ appears as an alternate character in our font. Published by Red RoosterDownload Poor Richard
URW Baskerville AI Font
URW Baskerville AI is a classic and elegant serif font designed byPhil Martin in 1972. URW Baskerville AI contains West, East, Turkish, Baltic, Romanian language support. Published by URW Type Foundry GmbHDownload URW Baskerville AI
Baskerville Font
Baskerville Handcut is a classic serif typeface, designed in 1961 by Yelena Tzaregorodtseva. Delivered in opentype format, it contains support for West, East, Turkish, Baltic, Romanian character sets. Published by URW Type Foundry GmbHDownload Baskerville
Bernhard Modern Font
Bernhard Modern is an old style classification serif typeface designed by Lucian Bernhard in 1937 for the American Type Founders (ATF). Lucian Bernhard’s Bernhard Modern typeface was the ATF’s response to the many popular old style engraving faces of the
Eden Pro Font
Based on the original 1934 Ludlow drawings by Robert Hunter Middleton, we created two additional weights that round out the family. Eden contains all the high-end features expected in a quality OpenType Pro font. Published by Red RoosterDownload Eden Pro
Griffon Font
Griffon, titling face with influence from classic letterforms, inspired by retro faces in the early 20th century. This font family was all redesigned from scratch and now released ranging in 5 weights with small caps from Light to Bold. The