Tag: formal
Ambient Font
When you push the stage props of life aside, there will remain the truth… Ambient is a desconstructed sans-serif font which captures the essence of basic Roman letterforms…with a few twists. Ambient was designed by Gabor Kothay, Szeged Hungary. Gabor
Claremont Font
Designed by Les Usherwood. Digitally engineered by Paul Hickson. Les never released this completed typeface before his untimely death in 1983. Published by Red RoosterDownload Claremont
Libertad Font
Design can do without images, but not without typefaces. Libertad is a sans-serif typeface that mixes humanist and grotesk models – It’s most interesting feature is the combination of balanced regulars with dynamic italics, which makes it a very versatile
Academy Engraved Font
Letraset’s talented type designer, Vince Whitlock, was inspired by the elegant Caslon series when he created Academy Engraved. The exquisite letterforms of this traditional Roman typestyle make it ideal wherever a refined, classical appearance is desired. Published by LetrasetDownload Academy
Globale Font
Globale, pronounced Globaal, is designed in two roman weights with matching italics. Small capitals and old style numerals have also been designed for the roman versions. In terms of style, Australian designer Scott Carslake has managed to capture an elusive
Charlotte Font
Although designer Michael Gills was influenced by 18th century French type designer Pierre-Simon Fournier, Charlotte is best described as a modern roman typeface. Its clean cut style, accentuated by a strong vertical stress and unbracketed serifs, exudes an authoritative tone,
Bordeaux Font
This condensed, modern Roman style exudes feminine elegance and will enhance any piece of work requiring a tall, slender effect. Created by British designer David Quay. Published by LetrasetDownload Bordeaux
Titanic Condensed Font
Designed by Steve Jackaman, Titanic Condensed is based on an early wood type design. An original creation. Published by Red RoosterDownload Titanic Condensed
Quest Font
Designed by Steve Jackaman. Loosely based on Dorsey, an English typeface by Alan Dempsey. Published by Red RoosterDownload Quest
Keyboard Font
Keyboard was designed by Paul Hickson. This elegant serif release is based on the original design, circa 1951. Copyright International TypeFounders, Inc. Published by Red RoosterDownload Keyboard
Arsis Font
Arsis is a condensed modern headline face, very elegant, very feminine, that was originally produced and cast in hot metal by the Dutch type foundry Lettergieterei Amsterdam. It was designed by Gerry Powell in 1937. Published by URW Type Foundry
Filmotype Yukon Family Font
Filmotype Yukon is inspired by the classic Palmer style of penmanship made popular in the late 19th and early 20th centuries. Originally released in the late 1950s, Filmotype Yukon has been meticulously redrawn from the original font filmstrips and has
Gamba Font
This squarish type is designed to create strong and clean layouts. Gamba combines futuristic shapes with high legibility, utilitarian design and personality. The quality of spacing and kerning is ensured by Igino Marini. Published by Juraj ChrastinaDownload Gamba
Windlesham Pro Font
Designed by Steve Jackaman and Ashley Muir. Windlesham is a more traditional sans serif version of our Guildford typeface. Windlesham contains all the high-end features expected in a quality OpenType Pro font. Published by Red RoosterDownload Windlesham Pro
Didot Headline Font
In spite of its name, this font family embodies the ultimate classic modern advertising typeface, rather than concern itself with revivalism or Didone authenticity. Naturally the spirit of the original Didot faces still exists in this family, but over twelve
Extension Font
Designed by Les Usherwood, Extension is a modern sans digitally engineered by Steve Jackaman. Many of the weights and the italics were created after Les death. Published by Red RoosterDownload Extension
Gilgamesh Font
Functionality with style is the keynote of Gilgamesh, the latest text typeface family from the cultured hand of British designer, Michael Gills. Based largely on Gills’ calligraphic experiments, Gilgamesh offers the discerning typographer everything – slightly narrower-than-normal letterforms for economy