Tag: formal  

Alexon Font - Image 1

Alexon  Font

Designed by Les Usherwood. Digitally engineered by Steve Jackaman. Originally in one weight, Steve designed and produced three additional weights. Published by Red RoosterDownload  Alexon

Administer Font - Image 2

Administer  Font

Designed by Les Usherwood. Digitally engineered by Steve Jackaman. A few weights were originally released by another foundry; but this complete version of the family is a better match to Les original drawings! Published by Red RoosterDownload Administer

Veronese Font - Image 3

Veronese  Font

Designed by Steve Jackaman, Veronese is based on the early original Monotype design, you can definitely see the influence of Italian Old Style, Jenson and Morris Golden Type. Published by Red RoosterDownload Veronese

Goudy 38 Font - Image 4

Goudy 38  Font

Designed by Les Usherwood. Digitally engineered by Steve Jackaman. Originally designed by Frederick Goudy for the original Life magazine, circa 1908. The typeface was used almost exclusively for their advertising and was often known as Goudy Gimbel; but the typeface

Garamond Font - Image 5

Garamond  Font

Garamond was originally designed by R.H. Middleton for Ludlow, circa 1929-30. Digitally engineered by Steve Jackaman. Published by Red RoosterDownload Garamond

Waverly Font - Image 7

Waverly  Font

Waverly is a round and soft serif designed by Les Usherwood, digitally engineered by Steve Jackaman. Published by Red RoosterDownload Waverly

Leighton Font - Image 8

Leighton  Font

Designed by Paul Hickson, Leighton is a clean serif based on Lectura, a design by Dick Dooijes of the Amsterdam Foundry (1966). Published by Red RoosterDownload Leighton

Fraktura Font - Image 9

Fraktura  Font

“Fraktura” and “Fraktura Plus” is a set of classical Fraktur (Blackletter) in a modern interpretation. The two fonts differ in the amount of embellishments and can and should be mixed. I only sell the pair, but for a fair  price.

Packard Font - Image 10

Packard  Font

Designed by Steve Jackaman & Ashley Muir. Packard Old Style is based on lettering drawn by Oswald Cooper for the Packard Motor Company (ATF 1913). The bold weight is credited to Morris Fuller Benton (ATF 1916), but it is  highly

Hess Old Style Font - Image 11

Hess Old Style  Font

Designed by Steve Jackaman, Hess Old Style was originally designed by Sol Hess as just a roman and italic for Lanston Monotype, circa 1920-23. Published by Red RoosterDownload Hess Old  Style

Kingsrow Font - Image 12

Kingsrow  Font

Designed by Les Usherwood. Digitally engineered by Steve Jackaman. Unofficially named No Frills in the early stages of development, his widow Elsie decided that it would be called Kingsrow. Published by Red RoosterDownload Kingsrow

Byron Font - Image 13

Byron  Font

Designed by A. Pat Hickson, Byron is a script font based on a turn of the century design. Published by Red RoosterDownload  Byron

Bellini Font - Image 14

Bellini  Font

Designed by A. Pat Hickson, Bellini is an original design based on the typeface Progreso from the Gans foundry circa 1923. Published by Red RoosterDownload Bellini

Modernista Font - Image 15

Modernista  Font

“Art Nouveau” happened over Europe under different names. They called it “Jugenstil” in Germany, “Le style moderne” in France, »Sezessionsstil« in Austria and Eastern Europe, “Stile Liberty” in Italy and “Modernista” in Spain. “Jugendstil” in Germany is what started  modern

Wurlitzer Pro Font - Image 17

Wurlitzer Pro  Font

Designed by Steve Jackaman & Ashley Muir. This design was inspired by an early 20th century woodtype. Wurlitzer contains all the high-end features expected in a quality OpenType Pro font. Published by Red RoosterDownload Wurlitzer  Pro

Kingsley Font - Image 18

Kingsley  Font

Designed by Les Usherwood. Digitally engineered by Steve Jackaman. This beautiful recreation by Les of the Frederick Goudy typeface, Kennerley Old Style, circa 1911-24, may be superior to any other. Published by Red RoosterDownload Kingsley