Tag: formal
Pointino Font
“Pointino” is a very pointed script. It comes in three versions: Pointino-A has good looking curves, Pointino-B has more of those good looking curves and Pointino-C has fewer, but still sensational curves. Pointino is very sexy, as sexy as typefaces
Fleurons Initials Font
“Fleurons Initials” are a set of elegantly decorated blocked initials, reminding of old Jazz and Circus Posters. Published by Wiescher DesignDownload Fleurons Initials
Artegio Font
“Artegio” is an elegant, joining, classical script with impressive horizontal swirls. I designed an comlementary set with simpler capitals, lower-case ending letters and medieval ciphers. Published by Wiescher DesignDownload Artegio
Edito Font
“Edito” is a completely new body copy-font. The special thing about this font is, that all serifs have the same height. So no matter if you take the thinnest cut (A) or the fattest (F), you will always have aligning
English Script Font
“English Script” is the classic spencerian english script. I always wanted to do one of these, now finally I did. Published by Wiescher DesignDownload English Script
Imperium Font
“Imperium” is the official font of the Imperium Romanum, the roman empire. Only since my youngest son decided to learn Latin do I know that the Romans had another “font” for everyday use, “Scriptura Vulgaris” an italic script. Among typomaniacs
Rusulica Font
Rusulica script is designed to express handwriting in a modern and glamorous fashion. Its letter construction is pure and fluid. Because of its ornamental and playful design, it offers plenty of possibilities. Rusulica has a high contrast and there is
Fat Times Font
“FatTimes” is an extension to my HardTimes family. Times are too hard for boring typefaces, so try the fat one one for a change. Published by Wiescher DesignDownload Fat Times
Antea Font
“Antea” is named after “Antaeus” the giant of Libya in Greek mythology, son of Poseidon and Gaia (mother earth), whose wife was Tinjis. He was extremely strong if he stayed in contact with the earth, but once lifted into the
Ela Sans Font
“Ela Sans” is the sister of the typeface I originally designed for the business of my second wife and mother of my two sons, her name is – of course – Michaela. Ela – the typeface – is suitable for
Principe Font
“Principe” is the Bodonian idea driven to the limit by abolishing most of the hairlines! The shape is completed only by the eye of the reader. This gives room for elegant embellishments and makes for a surprisingly new look to
Ela Demiserif Font
Ela Demiserif is the typeface I originally designed for the business of my second wife and mother of my two sons; her name is, of course, Michaela. Ela – the typeface – is suitable for magazines, newspapers, posters, advertisements, books,
Paillas Font
“Paillas” is a very elegant and unusual Antiqua typeface I have been working on during the last three years. So far I just have the normal and oblique cuts, but eventually I will design a bold version as well. Published
Sixtra Font
“Sixtra” is a font right out of the 30ies or 40ies of last century. I discovered a few letters on an old package for some obscure cutlery manufacturer and made a font of those six letters. Hence Sixtra! Published by
Copperplate Deco Font
“Copperplate Deco” is my sparingly decorated version of my Copperplate fonts. They can be used as stand alone fonts. Published by Wiescher DesignDownload Copperplate Deco
Soft Times Font
“Soft Times” has been easy on my nerves after the strain of “Hard Times”. The harder the Times are the more do we need some soft typefaces, this one is the soft counterpart for “HardTimes”. Published by Wiescher DesignDownload Soft
1820 Modern Font
This family (4 files) was inspired mainly ( Normal and Italic style ) from a Didot’s pattern font used in Rennes (France, Britany) by Cousin-Danelle, printers, for ” Antiquités historiques et monumentales , visits de Montfort & Corseul, par Dinan…