Tag: french
YWFT Victoria Font
YWFT Victoria has the feel of a traditional serif face, yet defies many of these implications due to its hand drawn origins and uniquely inconsistent line weights. This unicase typeface includes all of the characters you would find in a
Horror Font
Horror is, as its name suggests, a terribly great expressive typography to illustrate topics such as: nocture atmosphere, horror, zombie movie, hard rock, festival, halloween … Accompanied many ornaments you can easily illustrate these themes. Published by La Boite GraphiqueDownload
P22 Bifur Font
Bifur was originally designed by poster artist A.M. Cassandre. This Art Deco type design was issued by the French foundry Deberny & Peignot in 1929. Even upon it’s original release and promotion, suggestions on how not to use Bifur were
The Hand Font
The Hand is a handwritten font designed by Fanny Coulez and Julien Saurin in Paris. We wanted to create the most generic, readable and finely balanced handwritten font, to work well in every kind of design. We also designed two
Schillerplatz Font
Schillerplatz is a fresh, very well done retro styled font, designed by Hellmut G. Bomm in 2008. Schillerplatz is a very European styled design and works great in fashion or retro themed design projects. Published by URW Type Foundry GmbHDownload
Behance Font
Hand-printed caps font ideal for your graphic project. Published by La Boite GraphiqueDownload Behance
Grandes Vacances Font
This woodtype is the one of the most unique, wild, tuscan themed fonts this side of the frontier. No other woodtype of tuscan decorative is more cute and sweeter than this family. Contains 3 font styles in the family, preview
Tres Bien Font
We may say that a thing is good when on its own account it ought to exist, and bad when on its own account it ought not to exist. If it seems to be in our power to cause a
Canterbury Sans Font
Based on the Morris F. Benton for ATF in 1920, it was not completed for production until 1926. The serif version we released a few years ago was so popular, that we decided to design a complementary sans serif version
Diane Script Premiere Font
Designed by the legendary French designer Roger Excoffon in 1956, this remarkable script has never been faithfully recreated until now. In close collaboration with Mark Simonson, FontHaus and Mr. Simonson painstakingly researched rare type books, publications, European metal type services,
Dolmen Font
This clever revival of a 1920’s jobbing printer’s style exudes all the fashion and culture of the jazz age. Dolmen offers an interesting alternative to other fonts such as Broadway and Koloss and can be used in all capital or
Cumulus and Foam Font
Cumulus & Foam, the most beautifully grotesque font of our time. As it is in life, it is in art: beautiful is easy, reassuring, and affirming. It commands a comfortable space, and reliably adheres to the rules established therein. In
Beckenham Font
Designed by Les Usherwood, Beckenham was digitally engineered by Steve Jackaman. The x-heights are radically different; the x-height on the light version is small, and gets larger as the weights progress. Published by Red RoosterDownload Beckenham
Didot Display Font
In spite of its name, this font family embodies the ultimate classic modern advertising typeface, rather than concern itself with revivalism or Didone authenticity. Naturally the spirit of the original Didot faces still exists in this family, but over twelve
Cochin Font
Designed by Georges Peignot in 1995, Cochin is a serif font release by URW. Contains language support for West, East, Turkish, Baltic, and Romanian. Published by URW Type Foundry GmbHDownload Cochin
Port Vintage Font
Port Vintage is a new typeface expanded upon the original Port typeface, released in 2013, and being an experimental Didone typeface with a modern twist, inspired by the well known forms of typography masters such as Bodoni and Didot and
Ashemore Font
Ashemore developed as a result of my visits to Barcelona, Spain and to Germany, followed soon after by a visit to Asheville, North Carolina. Blending the styles of art and architecture from these three areas may seem initially to result
Charlotte Font
Although designer Michael Gills was influenced by 18th century French type designer Pierre-Simon Fournier, Charlotte is best described as a modern roman typeface. Its clean cut style, accentuated by a strong vertical stress and unbracketed serifs, exudes an authoritative tone,