Tag: funny
Candy Square Font
Candy Square is part of the classic Candy family which is inspired by vintage confectionary packaging yet yields a modern look and is a perfect display typeface for any use, even at small sizes. Published by Breaking The NormDownload Candy
Loyola! Font
A sans serif typeface, designed especially for titles, Loyola! It has a rugged style but also very happy. Published by RodrigoTypoDownload Loyola
Filmotype Panama Font
Initially offered in the late 1950s, Filmotype Panama was one of Filmotype’s ‘tipsy’ serif Free Style typefaces which featured a delightful blend between casual serif and latin styles. Remastered and expanded with exacting precision from the original filmstrips, Filmotype Panama
Munky Font
Typography inspired and designed for video games or applications online, a fat and heavy font designed with different alternatives, swash, set dingbat, rough, and also contains Cyrillic alphabet. Published by RodrigoTypoDownload Munky
Borden Font
Borden is a rounded hand-printed caps font ideal for your graphic project. Usage recommendations : Title, short text, children’s book, poster, book cover, brochure, label, magazine. Designed by Ewen Prigent, the Borden family is a hand rendered, all-caps design ideal
Eclipse Font
Eclipse was developed for the series of handwriting fonts based on the writing samples of real people. The font delivers natural sincere touch and can magically convert any annoying advertising text into intimate advice of your good friend. The first
Wallet Font
Wallet is an expressive handwritten font with loads of personality, suitable for many different projects. It comes in three styles: Felt, Felt bold and Chalk. Wallet has 391 glyphs and supports multiple languages. Opentype features, such as contextual alternates, for
Filmotype Athens Font
Introduced by Filmotype in 1955, Filmotype Athens was among Filmotype’s first condensed handlettered sho-card brush script faces for narrow applications where economy and style were paramount to the design while retaining legibility and easy readability. Filmotype Athens developed from the
Dominique Pro Font
Dominique Pro is another new profonts typeface family designed and digitally developed early 2010 in the profonts studio. The family comes with four styles as light, regular, medium, and bold, each style with full Latin character set plus a wide
Bango Pro Font
Bango Pro is a lively, heavyweight font with a strong cartoon feel, perfect for poster design, packaging, and anything that needs to draw attention – in an informal way. Initially released in 2011, Bango Pro is now in its third
Something Fishy Font
A recent walk down memory lane through old college sketchbooks revealed a collection of caricature fish doodles. One day, the sketches were discovered by my son, who – being a marine life enthusiast – promptly demanded that I draw more
Trade Winds Pro Font
Ahoy, matey! Prepare to set sail on the high seas! Let Tradewinds guide you to exotic ports of call where your next adventure begins. This breezy font by Squid and Neapolian will blow you away! The Pro version has been
Paris Serif Font
Paris Serif is an avant-gardist serif handwritten font designed in Paris. It’s an all-caps thin font, with Art Deco ornaments and extended glyphs for many languages. But the little difference of Paris Serif from other handwriting typefaces is the Art
Nivel Font
Nivel is a hand-printed poster font ideal for your graphic project. Published by La Boite GraphiqueDownload Nivel
Kermel Font
Kermel is a colorful typeface created by Ewen Prigent and published by La Boîte Graphique. Contrasting with the stuffy, straight style, Kermel displays an apparently undeveloped design, which reminds of the childhood calligraphic games and adds the so called “joie
Happy Cloud Font
Happy Cloud is a fun, tall handwritten font created by Cultivated Mind. This font features five font weights (Light/Regular/Bold/Black/Heavy). Published by Cultivated Mind Download Happy Cloud
Coquette Font
Coquette is an unconnected script combining elements of the traditional French script and geometric sans serif styles. The result is at once novel and familiar, evoking both vernacular and commercial lettering of the mid-20th century without being derived from any