Kaneda Gothic is a whole new basic gothic. Philosophically, Kaneda Gothic is the one of the niche answers in the interspace between these antinomies. Image of near-future and giant metropolis in 80s, 90s vs our real life in the 2010s,20s.
BLACKHEAD is a three blackletter font family inspired by Gothic script with modern, round letter upper parts. Blackhead has three weights, Light, Regular and Bold, all big, bold decorative faces. The characters are thick, full in saturated black forms with thin
Rileno Sans is contemporary typeface with geometric forms and strong personality. It is constructed in a geometric manner and inspired by the constructivist typefaces of the 1920’s with a humanistic quality. It comes in 6 weights, 6 uprights and its
Contains 42 arrow designs pointing up, right, down, and left totaling 168 arrows. Published by Gerald GalloDownload Geometric Arrows
Domotika is a typeface family designed by Cosimo Lorenzo Pancini, with italics designed by Andrea Tartarelli. It's a humanist sans serif font, with a semi-condensed feel, great for editorial and display usage where readability and personality must match convenient space
Mudhead is an industrial, condensed and vintage sans serif font. It has 252 glyphs and supports multiple foreign languages. Is perfect for vintage logo designs, headers, small and block text. It contains an uppercase and lowercase alphabet with numbers and
Polar is a sans-serif grotesk with characteristic ink traps and rounded vertexes. Polar is a variable font. It is versatile, modern, elegant and neutral. It can be displayed in a range from 200 to 900 in its weight axe to
URW Dock is a contemporary geometric type family rooted in the square sans genre. Inspired by the square sans typefaces of the 60s, it is a reinterpretation and enhancement particularly designed for today’s requirements of a multipurpose font: to work
Chalala is a script font design published by Mrletters Published by MrlettersDownload Chalala
Heading Pro Wide and Heading Pro Ultra-Wide are two variants of the original Heading Pro typeface designed by Francesco Canovaro for Zetafonts. These two extended width families have been added to the original condensed width family to be used for
Brasley is a geometric sans serif typeface created by Belgian designer Nicolas Desle. Spaced and mastered for optimal readability, Brasley plays well in a wide range of projects and applications. Brasley is available in six weights—bold, semibold, medium, regular, light
Tarhaal is an Arabic display font that features a unique style due to its solid geometric structure and its heavy letterforms. The font consists of three styles namely; Sharp, Rounded and Outlined and it suits all kinds of creative heading.
Mymoon Stencil is an extension of the Mymoon font family. It comes in 3 weights: UltraLight, Regular and Heavy. Contains extended Latin character set with OT features such as OldStyle and Tabular numerals and fractions. Published by Tour de Force
Designed by Moritz Kleinsorge & Alberto Romanos, Bw Vivant is a glamorous sans serif font family. It marries the visual appeal of deeply modulated serif typefaces with a minimal geometric approach, discarding any accessory element on the hunt for the
This typeface is a tribute to well-known Italian designer Marcello Nizzoli. Nizzoli is a modern sans serif font that offers a wide range of alternatives—a workhorse type well suited for headlines, posters, corporate identity and advertising campaigns. This modular design
Forjada—designed by Raúl Israel—is a monolinear, rounded and condensed typeface, belonging to the slab serif classification, inspired by wrought iron window and door grills on facades of historic buildings in America and Europe. Forjada is a rigid yet softly curved
Point aims to be an epitome of the Geometric Style. Inspired by intemporal classics such as Futura, Avant Garde or Avenir, passing through more contemporary approaches of the same style; ignited by the overarching narrative of the Modernity (Perfect Geometric
TT Commons Classic is a universal sans serif with a minimal contrast of strokes, a closed aperture and geometric shapes of characters. The design of the typeface was developed for the widest possible range of tasks with which any quality