I wanted to design my own sans-serif typeface for my web site to complement the rest of my type library, so I designed Congenial as an understated, highly legible complement to my more decorative display faces. Of course, I’m never
Stereonic is a geometric display sans influenced by Art Deco style. Its 38 fonts across 5 weights offer the possibility to convey numerous moods and styles typical for different decades. As the name suggests, the music posters were considered as
Augmento is a large contemporary font family from R9 Type+Design. We designed this typeface right smack on the sweet spot between formal and casual. The rounded rectangular structure gives Augmento the corporate, yet approachable look while the quirky stems add
Rival Slab is a new opentype slab font family designed to be both readable and versatile. Created by Mostardesign Type Foundry, Rival Slab is part of the super family of 62 fonts designed as a system type for versatile uses.
Nutmeg is a geometric typeface with a slight flavored touch. Although its structure is stick to the traditional forms, its details transform this typeface in a boldly project that separates it from other geometric fonts. Nutmeg’s texture can be perceived
Porta is an all-caps sans serif that will look stunning for your designs. It presents a simple clean tone that’s confident yet smooth. It also combines futuristic and geometric touch to resemblance a balanced proportion. Features: – Uppercase in 2
Etlalah is an Arabic display font that blends modernity and simplicity with the authenticity of Arabic script. The font is suitable for branding, advertising, web and typographic compositions. It features a stylistic set and two weights; regular and bold. Published
TT Wellingtons is an attempt to combine the style of English humanist sans-serifs of the early 20th century with the requirements for modern geometric grotesques. Our main task was to preserve the feeling of hand-written origin of the letters while
Agenor is an all caps display typeface family. It comes in five weights and is suitable for headlines, headings, branding, posters, packaging, titles and logos. Published by Deepak Singh DograDownload Agenor
Mymoon is geometric modern sans serif family that comes in 22 weights. Aimed for universal use, in any size and in any media. It has slight retro characteristics and mostly neutral overall impression. With wide range of thickness, from Thin
Mymoon Stencil Texture is an extension of the Mymoon-Stencil font family. It comes in 6 styles, 3 for each half of the font file. Contains extended Latin character set with OT features such as OldStyle and Tabular numerals and fractions.
Tecna is a modern sans typeface with straight cuts, rounded angles and curved thinnings at the endings that make the letter shapes fresher. The rounded characters are squarish giving to the layout a very structural appearance. Its wide proportions give
Arabigram is an Arabic display font that is inspired by the Chinese Tangram. Letters are uniquely designed by connecting triangles, squares and parallelogons while keeping the visual identity of Arabic script in mind. Arabigram suits various applications including web and
Juxta script is a script font design published by NaumType Published by NaumTypeDownload Juxta script
Modernhead is a modern, clean and simple sans serif font. It has 252 glyphs and supports multiple foreign languages. Is perfect for modern logo designs, headers and small amounts of text. It contains an uppercase and lowercase alphabet with numbers
Durango & Ogra is the dynamic duo of typefaces, and like all great duos it is a combination of two contrasting typefaces that work harmoniously together. Durango is thin and handmade with flourishing alternates and ligatures, while Ogra is heavy,
The design is influenced by the geometric style sans serif faces which were popular during the 1920s and 30s. The JT Marnie font family is well suited for headlines and small blocks of text, particularly in advertising and packaging. Published
Studio Gothic is a geometric sans typeface that takes inspiration from the ideas used by Alessandro Butti for his historical typeface Semplicità (simplicity in Italian) created in the 1930s. Each of Studio Gothic variant features a range of eight weights