Agenor is an all caps display typeface family. It comes in five weights and is suitable for headlines, headings, branding, posters, packaging, titles and logos. Published by Deepak Singh DograDownload Agenor
Mymoon is geometric modern sans serif family that comes in 22 weights. Aimed for universal use, in any size and in any media. It has slight retro characteristics and mostly neutral overall impression. With wide range of thickness, from Thin
Mymoon Stencil Texture is an extension of the Mymoon-Stencil font family. It comes in 6 styles, 3 for each half of the font file. Contains extended Latin character set with OT features such as OldStyle and Tabular numerals and fractions.
Tecna is a modern sans typeface with straight cuts, rounded angles and curved thinnings at the endings that make the letter shapes fresher. The rounded characters are squarish giving to the layout a very structural appearance. Its wide proportions give
Arabigram is an Arabic display font that is inspired by the Chinese Tangram. Letters are uniquely designed by connecting triangles, squares and parallelogons while keeping the visual identity of Arabic script in mind. Arabigram suits various applications including web and
Juxta script is a script font design published by NaumType Published by NaumTypeDownload Juxta script
Modernhead is a modern, clean and simple sans serif font. It has 252 glyphs and supports multiple foreign languages. Is perfect for modern logo designs, headers and small amounts of text. It contains an uppercase and lowercase alphabet with numbers
Durango & Ogra is the dynamic duo of typefaces, and like all great duos it is a combination of two contrasting typefaces that work harmoniously together. Durango is thin and handmade with flourishing alternates and ligatures, while Ogra is heavy,
The design is influenced by the geometric style sans serif faces which were popular during the 1920s and 30s. The JT Marnie font family is well suited for headlines and small blocks of text, particularly in advertising and packaging. Published
Studio Gothic is a geometric sans typeface that takes inspiration from the ideas used by Alessandro Butti for his historical typeface Semplicità (simplicity in Italian) created in the 1930s. Each of Studio Gothic variant features a range of eight weights
TT Travels is a geometric grotesque with wide proportions and peculiar shapes of circles and brackets. TT Travels incorporates two stylistic sets which add completely different characters to the type family. The first set ss01 (aka salt) makes the font
Luengo is a modern geometric sans serif font family. Rounded corners give a natural and overall home-felt feel with an accessible air and an elegant touch. Luengo is for display purpose, but it also looks great in longer copy, making
Visby Round takes the charismatic forms of its older sibling Visby and softens them, creating a friendly new look. Perfect anywhere you need a little smooth sans-serif goodness. – Eight weights and obliques – OpenType features, including alternates – Latin
Sango is a sans serif font design published by TYPE714 Published by TYPE714Download Sango
Neutrif Studio is a modernist sans serif typeface. Its design combines typically grotesk-style letterforms, with some characters that are quite geometrically-designed. In terms of its appearance, Neutrif Studio was inspired by Modernism and Industrial-Era graphic and typographic design. The family
Kandin is a modern geometric sans inspired by Scandinavian interiors. With a cool and collected feel and low-key luxury, Kandin has a crisp and uncluttered feel providing legibility with strong doses of aesthetic pleasure. Being one of the most static
Winner—Classic athletic aesthetics, finally as a versatile contemporary font family. Just when you thought there was nothing left to add to the classic sports design, we lifted it to a whole new level. Whatever you want to set in whatever
Rosina is a geometric typeface with a distinctive charm. With a captivating fusion of dashing 1920s style and 21st Century sensibility, geometric forms have been taken and optically adjusted to create a sturdy typeface. Tall ascenders and descenders attempt to