Tag: geometric
Karben 105 Stencil Font
Karben 105 Stencil is a contemporary stencil font. The stencil breaks in the letters are applied in a way that is sensitive to the forms of the character in pursuit of a more elegant stencil. Karben 105 Stencil is available
Kettering 205 Font
Kettering 205 is inspired by the classic, geometric slab-serifs such as Lubalin, but has shallower ascenders and descenders for a more compact look, and features art deco influenced, lowered crossbars and an oblique crossbar on the lower case e. It’s
Fairwater Serif Font
Fairwater’s aesthetic derives from the simplified, forgiving letterforms of tattoo lettering – and the pictorial themes that informed early-to-mid 20th-century naval tattoos that evokes 20th-century craftsmanship, maritime themes, and colorful, salty personalities. 386 Glyphs and 26 Stylistic Alternates View the
Haboro Soft Font
Stop trekking through the thick, wintery font forest, and step lightly into the fresh life of the Haboro hyper family. Though simple in nature, the Haboro hyper family provides you with a variety of options. Take, for instance, Haboro Soft,
Kessel 105 Remix Font
A remixed variation, available in three weights, of the popular Talbot Type geometric sans Kessel 105. The addition of occasional flourishes at the intersections of strokes, in both upper and lower case, adds character charm, making the font a perfect
Karben 105 Mono Font
Karben 105 Mono is a monospaced variation of Karben 105. The clean and pure geometry of Karben 105 makes it highly suitable for adaptation to this monospaced variant. It has an even look and retains its legibility at very small
Irena Font
Irena is a cubist/expressionist font inspired by Vojtěch Preissig. Preissig (1873-1944) was a Czech typographer, printmaker, illustrator and teacher, whose work was influenced by Japanese Art and Symbolism. During WWII, Preissig supported the Czech resistance and he was arrested in
Kinghorn 205 Font
Kinghorn 205 is an Egyptian style slab-serif. The strokes are all of a roughly equal weight for an even, geometric look. Although original Egyptian slabs date from the early 19th century, the even look gives the font a balanced, contemporary
Alphabet Soup Font
Designed by Steve Jackaman. In the early 1980’s, Steve worked at Typographic House in Boston, Massachusetts. At the time, ‘Typo’ House, as it was affectionately known, was the largest type house in New England. This font was designed and produced
Kaleko 205 Font
Kaleko 205 is inspired by the classic, geometric sans-serifs such as Gill Sans, but has shallower ascenders and descenders for a more compact look. It’s a well-balanced, versatile, modern sans, highly legible as a text font and with a clean,
Ocean Shore Font
Ocean Shore is a modern display sans typeface with stencil characteristics and based on geometric shapes. That when combined gives the font a retro-futuristic look and makes it ideal for big and catchy editorial headlines. The family includes 6 styles,
Kelso Font
Kelso is a highly original, outline display font. Each character is represented by a single continuous line to create a fluid and rhythmic look. This technique seems somehow to bring out the individual characteristics of each letter, resulting in a
Karben 205 Mono Font
Karben 205 Mono is a monospaced variation of Karben 205. The clean and pure geometry of Karben 105 makes it highly suitable for adaptation to this monospaced variant. It has an even look and retains its legibility at very small
Kenwyn Font
Kenwyn is a bold, geometric, Egyptian style slab-serif display font. It comes in two variations — Single Dot and Double Dot — each with an accompanying Stencil variation. Essentially a blend of circles and squares, Single Dot features a circular
Korbin Font
Inspired by the sans-serifs of the late 19th and early 20th century, Korbin is a legible and versatile text and display face available in five weights. It mixes geometric and humanist traits to achieve a modern, clean, friendly appearance. The
Kessel 105 Font
Kessel 105 is inspired by the classic, geometric sans-serifs such as Futura, but has shallower ascenders and descenders for a more compact look, and features an art deco influence with sharp points at the apex of many characters. It’s a
Keith Font
Keith is a striking and playful display font. Mix and match the different shadow styles, to create a variety of different looks and effects. There are four different shadow effects, along with a fill and an outline variation. Keith features
Kinghorn 105 Font
Kinghorn 105 is an Egyptian style slab-serif. The strokes are all of a roughly equal weight for an even, geometric look. Although original Egyptian slabs date from the early 19th century, the even look gives the font a balanced, contemporary