Tag: geometric
Kamerik 205 Font
Kamerik 205 is inspired by the classic, geometric sans-serifs such as Futura and Avant Garde, but has shallower ascenders and descenders for a more compact look, and features a traditional double-storey lower case a and g. It’s a versatile, modern
Kaleko 105 Round Remix Font
A remixed variation, available in three weights, of the popular Talbot Type geometric sans Kaleko 105 Round. The addition of occasional flourishes at the intersections of strokes, in both upper and lower case, adds character charm, making the font a
Kursk 205 Font
A text and display font with square proportions, inspired by the type styles of soviet-era Russia. Very shallow ascenders and descenders and a large relative x-height, exaggerate the compact and geometric look. Related to Kursk 105, its squarer-edged cousin. Published
Karben 205 Font
Karben 205 is inspired by the classic, no nonsense DIN, and has a form that follows its highly legible function. Based on a lozenge, it has a clean and pure geometry with even stroke weights. Karben 205 is available in
Kursk 105 Font
A text and display font with square proportions, inspired by the type styles of soviet-era Russia. Very shallow ascenders and descenders and a large relative x-height, exaggerate the square look. Related to Kursk 205, its slightly rounder cousin. Published by
Kamerik 105 Font
Kamerik 105 is inspired by the classic, geometric sans-serifs such as Futura and Avant Garde, but has shallower ascenders and descenders for a more compact look. It’s a versatile, modern sans, highly legible as a text font and with a
TT Lakes Font
The idea for this font emerged in the city of Priosersk, which until World War II was a Finnish city called Kakisalmi. At the city museum we came across an unusual sign plate with the former name of the railway
Kaleko 105 Remix Font
A remixed variation, available in three weights, of the popular Talbot Type geometric sans Kaleko 105. The addition of occasional flourishes at the intersections of strokes, in both upper and lower case, adds character charm, making the font a perfect
Kroppen Round Font
Kroppen Round is a geometric, stencil-style font based on Talbot Type Kaleko Round, and is available in four weights. Kroppen is not strictly a stencil font given that several characters, notably the O, are not stencilled. The design has more
Kaleko 205 Round Font
Kaleko 205 Round is a rounded variation of Talbot Type font Kaleko 205. It’s a well-balanced, versatile, modern sans, highly legible as a text font and with a clean, elegant look as a display font at larger sizes. The rounded
Kandel 205 Font
Kandel 205 is a geometric, tri-line, display and headline font available in a family of three weights. Its bold, graphic styling gives it great stand-out qualities and a highly individual look. It’s particularly well suited to bringing energy to designs,
Kampen Font
Kampen is a minimal, modular, monospaced font. There are two variants, each available in two styles. The two variants — Block and Pixel — differ considerably in look, however the characters in both are designed using the same 7 x
Kaleko 105 Round Font
Kaleko 105 Round is a rounded variation of Talbot Type font Kaleko 105. It’s a well-balanced, versatile, modern sans, highly legible as a text font and with a clean, elegant look as a display font at larger sizes. The rounded
Kaleko 105 Font
Kaleko 105 is inspired by the classic, geometric sans-serifs such as Gill Sans, but has shallower ascenders and descenders for a more compact look. It’s a well-balanced, versatile, modern sans, highly legible as a text font and with a clean,
Kandel 105 Font
Kandel 105 is a geometric, tri-line, display and headline font available in a family of three weights. Its bold, graphic styling gives it great stand-out qualities and a highly individual look. It’s particularly well suited to bringing energy to designs,
Henderson Sans Font
The first thought that crosses a type designer’s mind upon seeing a slab serif is: I wonder what it would look if it was serifless. And so, after building Henderson Slab, I followed my instincts and gave it a sans
Henderson Slab Font
A few bold caps drawn by Albert Du Bois for the 1906 Henderson Sign Painter book started me in the direction of looking at how sign painters approached slabs after the industrial revolution. The usual happened from there. My exercise
Merlo Neue Font
Merlo Neue is the younger brother of Merlo. New family received refreshed, more square proportions and a new shape of many glyphs. However, what is the most important in new Merlo, is the wide range of instances – nine new weights,