Tag: geometric
Alpha Delta Font
“Alpha Delta” the standard paperclip is the basic idea behind this font. By working on it, I changed it so that it doesn’t look too much like a paperclip any more. Published by Wiescher DesignDownload Alpha Delta
Mediafont Font
A squarish constructivist titling font ideal for branding, poster… Published by La Boite GraphiqueDownload Mediafont
URW Geometric Condensed Font
URW Geometric Condensed is the matching complement for the URW Geometric. Including 20 additional condensed styles the URW Geometric Condensed is the space-saving alternative in the URW Geometric family. URW Geometric is a sans serif typeface inspired by the German
Okojo Pro Font
Okojo Pro Complete is the complete collection of the Okojo Pro family of typefaces: Okojo Pro, Okojo Slab Pro, Okojo Pro Display and Okojo Slab Pro Display. The Okojo Pro family is a reworking of Wordshape’s immensely popular Okojo family
Binario Font
Binario is a simple and friendly font with three weights and matching italics (obliques). It is an excellent choice for giving a clean, unique, and modern look to headlines or body text. Use it for branding, menus, posters, magazines, and
Bayle Font
Bayle is a geometric sans serif typeface designed with a focus on unique character. Affable and available in four weights plus a monospaced variant with support for many Latin languages. Published by Justin MeyersDownload Bayle
Viata Font
“VIATA” is my new experimental Sans again based on the modernistic, constructivist letterforms of the “Bauhaus” era. The names Herbert Bayer and Paul Renner come to mind as design beacons of that time. “VIATA” has flat tops and round bottoms,
Noticia Font
“NOTICIA” is my new Sans based on the modernistic, constructivist letterforms of the “Bauhaus” era. The names Herbert Bayer and Paul Renner come to mind as design beacons of that time. “NOTICIA” is different in its proportions and long ascenders
Hinton Font
Hinton is a modern, clean text font, that contains 840+ characters & many Opentype features. It is calm, orderly and a bit perky. Hinton has a lightweight and pleasant design, so it fits well and easy to read. Its characters
Supra Classic Font
“Supra Classic” designed by Gert Wiescher in 2014 – has 10 weights with corresponding italic cuts. The designs elegant contrast in the up- and downstrokes makes for better legibility and a pleasing personality. The dominant x-height with its high ascenders
Supra Condensed Font
“Supra Condensed” designed by Gert Wiescher in 2013 – is the condensed version to this new sans typeface family of eight weights with matching italics. The condensed version is designed for space-saving typography but with high legibility in mind. The
Supra Rounded Font
“Supra Rounded” is the newest addition to my big Supra family. It really rounds of the huge family with a friendly design, that makes it an excellent and elegant text-typeface. It is an OpenType family for professional typography with an
Supra Compressed Font
“Supra-compressed” designed by Gert Wiescher in 2013 – is the extreme version of this family. But despite it being very slim it is still – because of its openness – a very readable font. The light and normal weights and
Planet Rouge Font
The latest font from Vintage Type Co. – Planet Rouge! Planet Rouge is a constructivist inspired display font that comes with a rough inked version, as well as multilingual support including basic cyrillic! Languages supported: Belarusian, Breton, Bulgarian, Catalan, Czech,
Supra Mezzo Font
Supra Mezzo designed by Gert Wiescher in 2012/13 – is an unusual addition to the Supra family, aweight in between the normal and the condensed width. This cut comes in very handy if you need to put lots of text
Supra Extended Font
Supra Extended – designed by Gert Wiescher in 2013 – is the extended version to this new sans typeface family of eight weights. The extended version is designed for sheer elegance and has no italics because they didn’t look nice
Aramis Font
“ARAMIS” is a new linear Sans with a French touch– designed by Gert Wiescher in 2014 and 2015 – has 7 weights with corresponding italic cuts. The small contrast in the linear Sans makes it not quite so linear and