Tag: geometric

Les Tres Font - Image 1

Les Tres Font

German designer Claudia Kipp has stated that she sees design as a “necessity to improve and enrich the visual world,” and her modern and clean sans typeface Les Tres certainly does its share. Working with great efficiency and great impact,

Modernica Standard Font - Image 2

Modernica Standard Font

Modernica Standard™ is an excellent tool that provides a large range of possibilities in design work. It is a sans serif font that contains eight weights plus matching italics. Modernica Standard™ is the extension of the Mazurquica family, a condensed

Decima Nova Font - Image 3

Decima Nova Font

Decima Nova is a geometric sans serif typeface family, built in eight styles. The typeface is ideal for use in display sizes, but also is quite legible in text and is well suited for editorial and identity design. Published by

Oduda Font - Image 5

Oduda Font

Oduda is a geometric, rounded typeface designed by thmbnl. The use of perfect round shapes and quite a short ascender height makes it a very stable, yet a playful looking typeface. Next to the demo version of the bold weight,

Rodchenko Font - Image 6

Rodchenko Font

Designed at ParaType in 1996-2002 by Tagir Safayev. Inspired by works of Russian Constructivists of the 1920s and 30s: Alexander Rodchenko, Varvara Stepanova, Vladimir and George Stenberg, Gustav Klutsis and others. A geometrical, caps and small caps only, sans serif

Visby CF Font - Image 7

Visby CF Font

Friendly and charismatic in lowercase; sophisticated and authoritative in uppercase. Visby is a geometric font family inspired by the stark beauty and crisp air of the Arctic North. Hard lines and sharp corners mesh with smooth, rounded forms, while subtle

Lilycat Font - Image 8

Lilycat Font

Lilycat is inspired by paper cutting. Individual characters were created by assembling basic cut-out paper shapes; rectangles, cut-out circles and half circles. They share characteristics of Futura and Art Deco fonts. Uneven edges give it a crafty, authentic feel. Capitals

Arquitecta Standard Font - Image 9

Arquitecta Standard Font

Arquitecta Standard. The humanist typography as a rational project. Since the experimentation from the Bauhaus through modern sans history we looked for a new mix to construct a rational geometric typeface with humanist proportions suitable for text layout and continuous

Glasgow Font - Image 11

Glasgow Font

Designed by Steve Jackaman, Glasgow is a modern and unique sans-serif font that was re-tooled from the original QBF Collection. Published by Red RoosterDownload Glasgow

Neustadt Font - Image 12

Neustadt Font

Designed by Joern Oelsner, the Neustadt font family was originally designed as a corporate font for Sport 2000, one of the leading buying groups in the European Sport Retail Industry. After it has been successfully established, it is now available

Nikaia Font - Image 13

Nikaia Font

Nikaia started as an experimental typeface (the script weights) and was then expanded to its logical conclusion (italic & regular), producing the fastest look typeface in the world. Nikaia looks clean and sharp at any size, with 5 weights for

Code Pro Font - Image 14

Code Pro Font

Code Pro is a font family inspired by the original Sans Serif fonts like Avant Garde or Futura, but with a modern twist. It is clean, elegant and straight-to-the-point. Code font is applicable for any type of graphic design: web,

Uniman Font - Image 16

Uniman Font

A clear and simple sans serif typeface. Straight lines are combined with precision curves to form a functional and versatile font best suited for a wide range of applications. Developed to meet the needs of the professional user, details include

C13 LCD Font - Image 17

C13 LCD Font

A super technical display typeface born of a desire to improve upon the mundane typography rendered via traditional liquid crystal displays. Not for amateurs. Published by cypher13Download C13 LCD

Archie Font - Image 18

Archie Font

Archie is a wide attention-grabber based on a simple geometric alphabet drawn in the early 1930s by Dutch calligrapher and lettering artist Martin Meijer. This digital family expands considerably on the original letters, adding biform shapes, small caps, italics across