Tag: geometric
Bank Gothic Pro Distressed Font
Bank Gothic® Distressed (Bold and Bold Condensed) is the warn and weathered version of GroupType’s Bank Gothic® with an antiqued texture that captures the authentic qualities of letterpress printing. Because it’s remarkably detailed, it looks great set at large sizes.
Kyrial Sans Pro Font
Designed in 2011 by Olivier Gourvat, this font family has generous proportions with a range of weights make it a versatile family for print and web design work. Kyrial Display Pro is also a pratical typographic choice to express strength,
Venti CF Font
Venti is a geometric font family with a warm, engaging character. Inviting and versatile, Venti’s subtle imperfections and human tone make it great for headlines, quotes and short text. The new version 4 update brings a host of refinements and
Centrale Sans Rounded Font
We are proud to announce the release of Centrale Sans Rounded, the new addition to Centrale Sans family. It is not the first nor the last rounded typeface out there, but at a certain point we’ve noticed that the ones
Muriza Font
Muriza is rooted in Styria and comes with a name dedicated to a region with soft rocks, forested mountains, narrow valleys and clear air, a modest slab serif with tempting curves. Its clear and economic typographic forms are linked to
Panton Font
Panton has been expanded with Panton Narrow! It has 9 uprights and 9 matching italics ranging from Thin to Heavy. NEW! Update 3.0 What’s New: • New Narrow version of 18 weights • Bulgarian Localization Support • Tabular Figures •
Glober Font
The Glober font family includes 18 weights – nine uprights with nine italics. It is characterized by excellent legibility in both – web & print design areas, well-finished geometric designs, optimized kerning, excellent web-font performance and legibility etc. Inspired by
Younion FY Font
Two weights & three widths, more than 450 very singular ligatures… this sans serif display typeface offers many combinations possibilities to play with letters. Designed by Gregori Vincens – Gia Tran – Alisa Nowak – Valentine Proust – Elvire Volk
Pall Mall Font
Designed by Steve Jackaman, this fashionable and tall serif is based on the early Pall Mall typefaces. Published by Red RoosterDownload Pall Mall
Octa Mono Font
Octa Mono fonts are primarily intended for heading, display and decorative use. A close relative to Alert, Octa is angular by its structure but soft-outlined typeface with modern industrial strength expression. Octa Mono is two weight fonts of upper and
Velodroma Font
Velodroma is new display sans serif, probably one of the widest typefaces ever made. But the widest is not the only thing you get. You get regular and wide too and in one font, so you can combine them together.
Chronica Pro Font
Chronica Pro is a new contemporary font family focusing on balance and quality for high professional use. Designed with a lot of attention to details and versatility, Chronica Pro could satisfy all kinds of demand such as editorial design, brand
Twist Font
Twist is an experimental, curvy, display typeface designed by Superfried. As it’s name suggests, it features intricate twists & turns. Twist has a very retro feel & it’s chunky structure leads to a distinct, high-impact display face. Twist has been
Luzern Font
Inspired by the most common grotesque heights and boxed sans serif typefaces, Luzern Typefaces was built with low-mid contrast sans serif and was designed in quite tall caps height and lower x-height which represents the flavor of the dynamic typefaces
Pontiac Inline Font
Pontiac Inline is a layered Art Deco font designed by Fanny Coulez and Julien Saurin in Paris. This finely balanced inline font can be enhanced to improve your designs and bring an unusual and modern feeling. You could change the
Basset Font
Designed by A. Pat Hickson. Digitally engineered by Steve Jackaman. Originally in five weights, Steve produced three additional weights. Published by Red RoosterDownload Basset
Suomi Sans Font
There are many sans serif typefaces with calligraphic tendencies, but Suomi Sans is different: the outside forms are fairly basic, fairly narrow sans serif style, but the counter forms have a strong calligraphic flair with accented upper left and lower