Tag: geometric

Acrom Font

Acrom is a geometric sans serif typeface with a minimal stroke contrast. It was designed with a modern, contemporary context in mind. Acrom is not merely mechanical, it can also be recognised as a natural typeface with subtle geometric aesthetics. The humanist

Sommet Slab Font

The Sommet family of typefaces has been updated with a new slab serif variant. Expanding on Sommet’s successful design principals, Sommet Slab is there when you need more impact and power. Sommet Slab is available with six weights and complementary

Blop11 Font

Blop11 is a geometric sans-serif type family, consisting of 3 weights. Blop11 Bold is inspired by 1800s-style wood, poster typeface. Owing to its rounded terminals, Blop preserves natural organic quality of wood typeface. The Regular and Light versions are contemporary

Linotte Font

Linotte is a rounded sans family with good vibes, designed by Joël Carrouché. Slight irregularities give the typeface a warm and naive look, while the solid geometric construction allows good legibility in long texts and small sizes. Linotte is ideal

Bumper Font

Bumper is the ideal ultrablack Sans Serif if you wanna make noise. The three widths could even be mixed in one single word, which creates a hand-made, edgy look. Bumper falls between glossy mags and poster art, and has a

Lintel Font

A modern san serif typeface with a pure clean line form. The idea has been to design a font with a proportioned and balanced structure that is applicable to a wide variety of uses. Details include 6 weights with italics,

Verb Font

Verb from Yellow Design Studio is an 18-font sans-serif family that’s friendly and approachable, but trades huggable roundness for confidence and energy. Verb is lively, motivated and industrious but not too busy to say “hello”. It’s packed with features including

Teip Font

Teip, designed by Alex Jacque in 2014, is a layerable geometric typeface system. Teip developed as a typographic exploration of overlapping tape where a over/under, foreground/background interplay would be a stylistic motif throughout. For the most part, the uppercase characters

Marine Font

Marine is a geometric sans but with the softness of humanistic strokes. It’s mild contrast and multiple different styles allow Marine to work well as both a text and display font. It also includes an Up version and calligraphic features

Szablon Font

Designed by Wojtek Podulka in 2004, Szablon is a modern and obscure type design. Szablon maintains a modern, minimal and avant garde presence that works great in branding projects. Published by URW Type Foundry GmbHDownload Szablon

Recta Font

Recta was one of Aldo Novarese’s earliest contributions to the massive surge of the European sans serif genre that was booming in the middle of the 20th century. Initially published just one year after Neue Haas Grotesk came out of

Basik Font

As the name suggests, Basik is a simple, clean and versatile sans-serif typeface designed by Superfried. It is equally apt in both body or display scenarios and it is now available in a stencil style. There are already numerous san-serif

Pero Font

Pero is a condensed rounded sans-serif family designed by Ryoichi Tsunekawa and the whole family consists of 7 weights from ExtraLight to ExtraBold.The range of styles provides flexibility for title, headline and body text. And the large x-heights gives them

Polytype Brutus II Frames Font

Designed by Karl Nayeri, Polytype Brutus II Frames is a font released for the Prime Graphics Type Collection. Copyright Prime Graphics. Published by Prime GraphicsDownload Polytype Brutus II Frames

Iron Maiden Font

Designed by Steve Jackaman, Iron Maiden is a retro display face released by Red Rooster. Published by Red RoosterDownload Iron Maiden