Tag: German
Graphique Pro Font
Graphique was originally created by Swiss designer Hermann Edenbenz in 1945, and issued as hot metal font by Haas’sche Schriftgieberei, Switzerland. German type designer Ralph M. Unger digitally remastered and expanded the typeface for profonts, and the digital OTF Pro
Cera Stencil PRO Font
Cera Stencil Pro is part of the Cera Collection is driven by pure geometry and containing the bestselling Cera, its stenciled counterpart Cera Stencil and the hand-crafted display companion Cera Brush. Cera Stencil, with six weights, useful dingbats and arrows,
Cera PRO Font
Cera Pro is part of the Cera Collection driven by pure geometry and containing the bestselling Cera, its stenciled counterpart Cera Stencil and the hand-crafted display companion Cera Brush. With six weights, a clean italic – carefully slanted 10 degrees
Tzigane Font
Tzigane is a font design released for the Mecanorma Type Collection. Copyright 2004 Trip Productions BV. Published by MecanormaDownload Tzigane
Millar Font
An elegant monoline typeface with smooth corner detailing. The simple linear design is best suited to identity, editorial and on screen uses. Details include 7 weights, a complete character set, manually edited kerning and Euro symbol. Published by The Northern
Muller Font
The very first sketches of Muller were made about four years ago. In the process, they changed to the point where they had nothing in common with the original idea. As it is with most work we do, when we
Impression Font
Impression ist indeed quite impressive, art nouveau, hippy, flower power, groovy? Impression was redesigned and digitally remastered by German designer Ralph M. Unger for profonts. You want to have fun – take impression! Published by URW Type Foundry GmbHDownload Impression
Splendor Pro Font
Finally the light version of Wilhelm Berg’s hot-metal classic which had found its way from Schriftguss to Typoart can be released for nowadays use. Published by RMU TypedesignDownload Splendor Pro
Oklahoma Font
Designed by Achaz Reuss in 1993, Oklahoma is a wild and quirky art deco style font design. The complete family contains three styles, including the very interesting stencil and open style options. Published by URW Type Foundry GmbHDownload Oklahoma
Elston Font
Designed by Les Usherwood. Digitally engineered by Steve Jackaman. This typeface is used by a famous European car company in all their marketing! Published by Red RoosterDownload Elston
Insekt Font
Designed by Jens Weigel in 2004, Insekt is a sharp serif release by URW. Contains language support for West, East, Turkish, Baltic, and Romanian. Published by URW Type Foundry GmbHDownload Insekt
Walbaum Fraktur Font
Originally designed by Justus Erich Walbaum in the 1800s, Walbaum Fraktur is a classic and strong blackletter type design. Walbaum Fraktur works great in headlines and other masculine like design settings. Published by URW Type Foundry GmbHDownload Walbaum Fraktur
Compress Font
Designed by Achaz Reuss in 1993, Compress is a tall, slim and fashionable sans-serif design by URW. Contains language support for West, East, Turkish, Baltic, and Romanian. Published by URW Type Foundry GmbHDownload Compress
Firmin Didot Font
Designed by URW Studio in 1995, Firmin Didot is a Serif (Antiqua) / Old Style font release by URW. Contains language support for West, East, Turkish, Baltic, and Romanian. Published by URW Type Foundry GmbHDownload Firmin Didot
FontForum Supernormale Font
Type is a very important element within the corporate design process. A corporate font that works in all media (screen, print, vinyl etc) delivers a very high level of recognition and resultingly, identification with the company. Most of the existing
Splendor Font
Splendor was originally produced and released in 1930 by Schriftgub AG, Dresden. The typeface was designed by Berlin designer Wilhelm Berg. Ralph M. Unger, who in the last few years has created a whole series of revivals and redesigns from
Gunar Font
A geometric sans serif with a square chiseled appearance. Precise curves are met with straight lines and tapered angles to produce a fresh, technical typeface. It’s large x-height and neutral width give it good legibility at small point sizes. These