Tag: German
Ratio Modern Font
Designed in 1923 by Friedrich Kleukens for the Stempel foundry, Ratio was one of the first metal faces to bring the Didone genre to the forefront of industrial mass publishing as a headline and magazine face. Though essentially modern in
Gothic Outline Font
Gothic Outline is a sans-serif, headline font release by URW. Contains language support for West, East, Turkish, Baltic, and Romanian. Published by URW Type Foundry GmbHDownload Gothic Outline
Velvet Font
Velvet is a heavy rounded block retro face inspired by the typeset album covers of the protopunk rock band The Velvet Underground. Stylistically, Velvet’s extreme angled terminals exude a sense of tension and irreverence, contrasting the subtle rounded block letter
Isonorm Font
Isonorm is a font design released for the Mecanorma Type Collection. Copyright 2004 Trip Productions BV. Published by MecanormaDownload Isonorm
P22 Koch Nueland Font
Neuland has been used since its introduction in 1923 as a rugged type with more black space than almost any other BOLD font. The appeal of Neuland, however, is much more than just heavy ink coverage. It has stood the
URW Fanfare Font
Designed by Louis Oppenheim in 1927, Fanfare is a decorative font release by URW. Contains language support for West, East, Turkish, Baltic, and Romanian. Published by URW Type Foundry GmbHDownload URW Fanfare
Memphis Font
Memphis is a modern and fashionable slab-serif originally designed by Rudolf Wolf, brought to us by the german type foundry URW. Contains a simple but powerful family set with options from extra-light to bold. Memphis works great in an a
Erbar Neo Mini Font
Erbar, designed by Jakob Erbar for Ludwig & Mayer in the early 1920s, is truly a key design from a historical viewpoint. None other than Paul Renner studied Erbar and used this knowledge in the desing of his famous Futura.
Peter Schlemihl Font
Adalbert von Chamissio wrote that wondrous story about the man who sold his shadow to the devil. Walter Thiemann recovered that shadow when he put a thin and a shadow line around his Tiemann Fraktur. It is an embellished and
Galba Font
Galba is a font design released for the Mecanorma Type Collection. Copyright 2004 Trip Productions BV. Published by MecanormaDownload Galba
Engschrift Font
Designed by various designers for signage use, Engschrift is a sans-serif font release by URW. Contains language support for West, East, Turkish, Baltic, and Romanian. Published by URW Type Foundry GmbHDownload Engschrift
Unger Fraktur Font
In the wake of the Enlightenment and the French Revolution there was a desire for a clear classical blackletter font without frills. That is why in 1793 the famous printer and editor Johann Friedrich Unger and his partner Johann Christian
Klassika Font
A modern and clean sans originally designed by Hellmut G. Bomm, works great in body and headline usage. Contains a very interesting Bronze style that provides a vintage and 3d like option for headers. Published by URW Type Foundry GmbHDownload
Manuel Pro Font
Manuel, a simple, almost mathematically constructed typeface, includes stylistic alternates for a number of upper case characters. This comes in very helpful when designing logos. Manuel is a very charming, self-confident and exciting typeface design. The idea was to try
Futura Font
Futura. The very name brings to mind jet-age splendor of the highest order, and indeed the text on the commemorative plaque left behind on the Moon by the Apollo 11 astronauts in July, 1969 is set in Futura. There is
Ainslie Sans Font
The original Ainslie was inspired by Mt. Ainslie and the city of Canberra’s inner suburb of the same name. Canberra is Australia’s capital–a planned city designed by American architect Walter Burley Griffin. Griffin’s style and geometric design for the city,