Tag: German
Silverado Font
Designed by Steve Jackaman, Silverado is based on a classic serif type design called Eldorado. Published by Red RoosterDownload Silverado
Modernista Font
“Art Nouveau” happened over Europe under different names. They called it “Jugenstil” in Germany, “Le style moderne” in France, »Sezessionsstil« in Austria and Eastern Europe, “Stile Liberty” in Italy and “Modernista” in Spain. “Jugendstil” in Germany is what started modern
Ultra Modern Font
Designed by Douglas C. McMurtrie and digitally engineered by Steve Jackaman, Ultra Modern is based on the original Ludlow drawings, circa 1928. Published by Red RoosterDownload Ultra Modern
Gilmore Fahrenheit Font
Gilmore Fahrenheit is an original font design by A. Pat Hickson and Steve Jackaman for the Red Rooster Collection. Published by Red RoosterDownload Gilmore Fahrenheit
Maxim Font
Maxim was originally designed by Peter Schneidler in 1956 for the Bauer foundry. Ralph M. Unger redrew and digitized this font exclusively for profonts in 2003. His work is based on artwork taken from old font catalogues. Published by URW
Austral Slab Font
Austral Slab is a hand-drawn layered font designed by Antipixel, with unique textures & styles that combine giving your work a distinctive impression. This font comes in three weights, Regular, Light & Thin, with irregular outlines and uneven/crooked strokes, giving
Monkeytails Font
I don’t know what other type designers call those long swirling embellishment, but I call them “Monkey tails”. So when I decided on this version of my good old “Royal Bavarian”, I decided to call the new font Monkeytails. I
Morning News Font
“Morning News” is the sister font of “Evening News” which I designed some years ago for use with my local newspaper “Abendzeitung”. “Morning News” is an adaption, a little bit rounder, which gives the font a much softer touch. The
Rosengarten Font
Rosengarten is a condensed, bold typeface inspired by the work of Lucien Bernhard and the Plakatstil movement. With bold, rounded serifs, this typeface was created for use in headlines and larger point sizes. A complimentary sans serif style was integrated
Dylan Condensed Font
Dylan is a Sans typeface in the best American tradition. In order to keep corners open and to make the font more readable in small sizes it has deep cuts where curves join straights. I designed 8 finely tuned weights
Monem Font
“Monem” is the word for “the smallest significance-carrying part of a language”. I thought that was a good name for a clean, straightforward Sans typeface. “Monem” is very sturdy and usable for lots of occasions. I am using this font
Edito Font
“Edito” is a completely new body copy-font. The special thing about this font is, that all serifs have the same height. So no matter if you take the thinnest cut (A) or the fattest (F), you will always have aligning
TT Octas Font
TT Octas is a narrowly proportioned font family built upon the principle of octagonal forms: all circles in this font family are actually octagons. Thanks to small serifs, TT Octas has a saturated and vintage character to it. Simple depiction
Fat Times Font
“FatTimes” is an extension to my HardTimes family. Times are too hard for boring typefaces, so try the fat one one for a change. Published by Wiescher DesignDownload Fat Times
Principe Font
“Principe” is the Bodonian idea driven to the limit by abolishing most of the hairlines! The shape is completed only by the eye of the reader. This gives room for elegant embellishments and makes for a surprisingly new look to
Egyptia Rounded Font
“Egyptia Rounded” is a modern slab serif with rounded slabs. I only sell pairs, but for a fair price. Published by Wiescher DesignDownload Egyptia Rounded
Egyptia Font
“Egyptia” is a modern slab serif with square slabs. I only sell pairs, but for a fair price. Published by Wiescher DesignDownload Egyptia