Tag: glyphic
Modernista Font
“Art Nouveau” happened over Europe under different names. They called it “Jugenstil” in Germany, “Le style moderne” in France, »Sezessionsstil« in Austria and Eastern Europe, “Stile Liberty” in Italy and “Modernista” in Spain. “Jugendstil” in Germany is what started modern
Ultra Modern Font
Designed by Douglas C. McMurtrie and digitally engineered by Steve Jackaman, Ultra Modern is based on the original Ludlow drawings, circa 1928. Published by Red RoosterDownload Ultra Modern
Kingsley Font
Designed by Les Usherwood. Digitally engineered by Steve Jackaman. This beautiful recreation by Les of the Frederick Goudy typeface, Kennerley Old Style, circa 1911-24, may be superior to any other. Published by Red RoosterDownload Kingsley
Gargoyle Font
Designed by Steve Jackaman, Gargoyle is based on the original Adrian Williams typeface design, circa 1976 and Brook Type in 1903 designed by Lucien Pissaro. Published by Red RoosterDownload Gargoyle
Sabler Titling Font
Make the right statement with the elegant Sabler Titling. This showstopping font features an inherent grace combined with the classic style of the Art Deco period. The subtle beauty of its letters is highlighted by the typeface’s stems, which taper
Imperium Font
“Imperium” is the official font of the Imperium Romanum, the roman empire. Only since my youngest son decided to learn Latin do I know that the Romans had another “font” for everyday use, “Scriptura Vulgaris” an italic script. Among typomaniacs
Principe Font
“Principe” is the Bodonian idea driven to the limit by abolishing most of the hairlines! The shape is completed only by the eye of the reader. This gives room for elegant embellishments and makes for a surprisingly new look to
Copperplate Classic Medium Font
“Copperplate” was the classic nineteenth century engravers typeface, consisting of capitals and small caps only. Among others (for example Deberny & Peignot) F. W. Goudy’s cut for ATF around 1901 is probably the most widely known. Copperplate typefaces are traditionally
Copperplate Classic Light Font
“Copperplate” was the classic nineteenth century engravers typeface, consisting of capitals and small caps only. Among others (for example Deberny & Peignot) F. W. Goudy’s cut for ATF around 1901 is probably the most widely known. Copperplate typefaces are traditionally
Copperplate Classic Font
“Copperplate” was the classic nineteenth century engravers typeface, consisting of capitals and small caps only. Among others (for example Deberny & Peignot) F. W. Goudy’s cut for ATF around 1901 is probably the most widely known. Copperplate typefaces are traditionally
Eleganza Font
“Eleganza” is my most elegant typeface. At least that is what I think! I use it for business cards and everything that has to be elegant with that extra touch. The font comes in pairs for the price of one.
Conglomerate Font
Sans or serif? Square or rounded? Calligraphic or geometric? Conglomerate is both all and none of these things — a subtle yet unorthodox blend of typographic traits resulting in a clean, unique, and versatile font family with large, open counters
Legan Font
Legan is a font created by PeGGO Fonts, a very large typeface that follows the classical Trajan pattern, several geometrical proportions like root five, divine proportion (Golden Ratio), regular square, between other ones, same like Greek Trajan uppercase letters used
Chelsea Font
Designed by Les Usherwood, Chelsea is a serif design digitally engineered by Steve Jackaman. Published by Red RoosterDownload Chelsea
President Font
Designed by Adrian Frutiger, President is a sharp serif release by URW. Contains language support for West, East, Turkish, Baltic, and Romanian. Published by URW Type Foundry GmbHDownload President
Michellina Font
Michellina is a font design released for the Mecanorma Type Collection. Copyright 2004 Trip Productions BV. Published by MecanormaDownload Michellina
Badger Pro Font
Badger Pro has been completely redrawn and remastered by Steve Jackaman and Ashley Muir. The new Badger Pro family has been fleshed out with a glyph set that is over 40% larger than the original release, and contains all the
Elston Font
Designed by Les Usherwood. Digitally engineered by Steve Jackaman. This typeface is used by a famous European car company in all their marketing! Published by Red RoosterDownload Elston