Tag: glyphic
Bernhard Gothic Font
Bernhard Gothic is a family of geometric sans serif typefaces designed by Lucian Bernhard in 1929 for the American Type Founders (ATF). The five style variations by Bernhard were introduced over a period of two years. Bernhard Gothic is more
Beckenham Font
Designed by Les Usherwood, Beckenham was digitally engineered by Steve Jackaman. The x-heights are radically different; the x-height on the light version is small, and gets larger as the weights progress. Published by Red RoosterDownload Beckenham
Libra Font
Libra is a font design released for the Mecanorma Type Collection. Copyright 2004 Trip Productions BV. Published by MecanormaDownload Libra
Jubilee Font
Designed by Paul Hickson. Designed by the famous English (type designer) Eric Gill, it was created specially for the Silver Jubilee Wedding Anniversary announcement of George VI and Queen Mary. Published by Red RoosterDownload Jubilee
Monolith Sans Font
Designed by Tony Mayers in 2004, Monolith Sans is a unique and modern sans-serif type design. Published by ABCTypesDownload Monolith Sans
Monolith Roman Font
Designed by Tony Mayers in 2004, Monolith Roman is a unique and modern serif type design. Published by ABCTypesDownload Monolith Roman
Espuma Pro Font
Espuma Pro is a soft and friendly humanist sans-serif font family with strong calligraphic aftertaste. Presented in 7 weights, with true italics each, it features the traditionally rich language support, small caps, 6 sets of figures and a bunch of
Creighton Font
Designed by Steve Jackaman and Ashley Muir. It was our initial intention to develop a suitable lowercase for Les Usherwood’s ‘Elston’ typeface, based on a few characters from an old German typeface called Hermes Grotesque (Woellmer, Berlin). However, the new
Mechanic Gothic Font
Designed by Darren Scott. Based on character shapes with origins rooted in the work of 19th Century American wood type makers, DST Mechanic Gothic draws influence from the poster types found in the impactful advertising during the Industrial revolution. It
Bluejack Font
Designed by Phil Martin in 1974, Bluejack is a linear and glyphic serif font, published by URW Germany. Bluejack contains language support for West, East, Turkish, Baltic, and Romanian. Published by URW Type Foundry GmbHDownload Bluejack
Cartel Font
Designed by Phil Martin in 1975, Cartel URW is a a retro, funky and unique display face great for magazine and poster use. Cartel URW contains language support for West, East, Turkish, Baltic and Romanian. Published by URW Type Foundry
Generation Uncial Font
Generation Gothic, has already proved to be very popular with leading magazines including Later, Computer Arts, Ultimate Golf and Spark Magazine. This collection introduces complementary Generation Headlines which seek attention and create impact; Generation Uncial (which isn’t just for mystics
Danmark Font
Designed by URW Studio in 1995, Danmark is an elegant and strong serif design. Contains language support for West, East, Turkish, Baltic, and Romanian. Published by URW Type Foundry GmbHDownload Danmark
Copperplate Font
Designed by Frederic William Goudy in 1905, Copperplate is a decorative serif font release by URW. Contains language support for West, East, Turkish, Baltic, and Romanian. Published by URW Type Foundry GmbHDownload Copperplate
Argus Font
Designed by Steve Jackaman, Argus is a serif design based on the popular 1968 VGC typeface. Published by Red RoosterDownload Argus
Latin Font
Latin is a retro, vintage and decorative styled serif type design. It works beautifully when used in headlines for posters, but can also be spiced up to work in fashion and branding projects as well. Latin was designed by Achaz
Elston Pro Font
Originally designed by Les Usherwood for a famous European car company, Elston Pro has been completely redrawn and remastered by Steve Jackaman and Ashley Muir. The new Elston Pro family has been fleshed out with a glyph set that is
Bardi Font
Designed by Dr. Alfred Tilp, Barde is a striking, moderately dynamic design suitable for many different typographic tasks. Its individual ductus is inspired by handwriting, however without calligraphic embellishment. There are no serifs but tiny endings which lead to think