Tag: gothic
Walbaum Fraktur Font
Originally designed by Justus Erich Walbaum in the 1800s, Walbaum Fraktur is a classic and strong blackletter type design. Walbaum Fraktur works great in headlines and other masculine like design settings. Published by URW Type Foundry GmbHDownload Walbaum Fraktur
Necia Stencil Font
Necia Stencil font family is the stencil version of Necia font family, it has been designed for Graviton Font Foundry by Pablo Balcells in 2014. Necia Stencil consists of 16 styles. The 8 “Stencil 1” styles contain a narrow stem
Holland Gothic Font
Blackletter fonts are timelessly beautiful and still very popular. At some point, it seems that every type designer discovers the beauty of these forms and the great pleasure in creating blackletter characters. Like also Dutch designer Coen Hofmann who, after
Armitaged Font
Sturdy and humane, Armitage renders type with vintage American warmth. Even with a subtle sparkle, Armitage stays humble to let words work. Rather than build on recent trends, Armitage starts over, derived from designs of the late nineteenth century. Designer
Estandar Rounded Font
Estandar Rounded is a retro and vintage wayfinding sans serif font, inspired by old signal in central park and Europe. Is a Condensed sans with their tall x-height, the family has 6 Weight, its italics and a dingbat. It is
Lorimer No 2 Font
Lorimer No 2 is a sans family designed for display settings. Narrow letters, tight spacing, and a low x-height make Lorimer No. 2 better suited to display settings than fonts adjusted to work in text settings. Packaging, identities, and headlines
LTC Tourist Gothic Font
Tourist Gothic is a Lanston Monotype adaptation of Modern Condensed Gothic (a design from the late 1800s.) Rounded alternate caps were designed by Sol Hess in 1928. The alternate version is offered as LTC Tourist Gothic Alt. Tourist Gothic Pro
DeLuxe Gothic Font
Michael Doret was always very aware of the fact that Morris Fuller Benton’s classic Bank Gothic, a longtime favorite of his, didn’t contain any lowercase characters. So he set out to remedy that by designing his all new DeLuxe Gothic,
Necia Font
Necia font family has been designed for Graviton Font Foundry by Pablo Balcells in 2014. It is a modular, geometric and slightly condensed typeface which has been conceived to be primarily a display typeface, but given its clarity it can
Demosfen Font
The typeface was designed at Double Alex Font Studio by Alexey Chekulaev in 2003. Published by ParaTypeDownload Demosfen
Caligra Font
Caligra is a font design published for The Mecanorma Collection. Published by MecanormaDownload Caligra
Sepian Font
Sepian is an original hand lettered font based primarily on Textualis, or Textura in the Blackletter family – the style most commonly associated with Gothic scripts. The addition of barbs to the terminals add to its modern and sharp look
Buchfraktur Font
For all those who like blackletter fonts – a small family of both regular and bold weight.The s-key is occupied with the long s, the #-key with the round s. Typing N, r, and period,you get an old-fashioned number sign.
Black Moon FY Font
Blackmoon FY is a modern broken script which is made out with only straight strokes. A beautiful singularity are the very thin in-and-outstrokes accompagnying each letter. This very high contrasted font is less condensed than usual blackletter fonts and has
Pamela DT Font
Pamela DT is a decorative font design, published by DTP Types Limited. Published by DTP Types LimitedDownload Pamela DT
Mandinor FY Font
Normandie FY is a victorian modular family of 3 different typefaces very contrasted: Modern, Gothic & Italian. Perfect for headlines and any other titling creations, this font family feels very good when used in super poster size. Ornaments, letters (and
Raleigh Gothic Font
Designed by Steve Jackaman. Based on the ATF typeface by Morris F. Benton, circa 1934. Steve created two additional new weights. Published by Red RoosterDownload Raleigh Gothic
PF Fusion Sans Pro Font
Fusion Sans is an amalgamation of traditional early nineteenth-century sans-serif letters. Despite its monotone structure it retains certain features common to roman. For instance lowercase ‘a’ and the two-storey ‘g’ are normal roman characters, while most letters are designed with