Tag: gothic
Demosfen Font
The typeface was designed at Double Alex Font Studio by Alexey Chekulaev in 2003. Published by ParaTypeDownload Demosfen
Caligra Font
Caligra is a font design published for The Mecanorma Collection. Published by MecanormaDownload Caligra
Sepian Font
Sepian is an original hand lettered font based primarily on Textualis, or Textura in the Blackletter family – the style most commonly associated with Gothic scripts. The addition of barbs to the terminals add to its modern and sharp look
Buchfraktur Font
For all those who like blackletter fonts – a small family of both regular and bold weight.The s-key is occupied with the long s, the #-key with the round s. Typing N, r, and period,you get an old-fashioned number sign.
Black Moon FY Font
Blackmoon FY is a modern broken script which is made out with only straight strokes. A beautiful singularity are the very thin in-and-outstrokes accompagnying each letter. This very high contrasted font is less condensed than usual blackletter fonts and has
Pamela DT Font
Pamela DT is a decorative font design, published by DTP Types Limited. Published by DTP Types LimitedDownload Pamela DT
Mandinor FY Font
Normandie FY is a victorian modular family of 3 different typefaces very contrasted: Modern, Gothic & Italian. Perfect for headlines and any other titling creations, this font family feels very good when used in super poster size. Ornaments, letters (and
Raleigh Gothic Font
Designed by Steve Jackaman. Based on the ATF typeface by Morris F. Benton, circa 1934. Steve created two additional new weights. Published by Red RoosterDownload Raleigh Gothic
PF Fusion Sans Pro Font
Fusion Sans is an amalgamation of traditional early nineteenth-century sans-serif letters. Despite its monotone structure it retains certain features common to roman. For instance lowercase ‘a’ and the two-storey ‘g’ are normal roman characters, while most letters are designed with
Aguda Stencil Font
Aguda Stencil font family is the stencil version of Aguda font family, it has been designed for Graviton Font Foundry by Pablo Balcells in 2014. Aguda Stencil consists of 16 styles. The 8 “Stencil 1” styles contain a narrow stem
Griffon Font
Griffon, titling face with influence from classic letterforms, inspired by retro faces in the early 20th century. This font family was all redesigned from scratch and now released ranging in 5 weights with small caps from Light to Bold. The
YWFT Matter Font
Take the Matter into your own hands. YWFT Matter, that is–a wide, bold and grotesque typeface design based on several concepts from Victorian-era science texts and manufacturing/marketing materials. YWFT Matter features alternate characters, like a “two-story” lowercase “a,” that are
FontForum Behrens Schrift Font
FontForum Behrens Schrift is a decorative blackletter font based on the designs of Peter Behrens and Ralph M. Unger, released by URW. Published by URW Type Foundry GmbHDownload FontForum Behrens Schrift
Old English Font
Old English is related to Black Letter styles from early printed books and have a distinguished, historic look. The Old English font is used in advertising, invitations, greeting cards, and wherever a formal hand-lettered or engraved look is desired. Published
Fette Gotisch Font
Designed by Wagner Studio in 1911, Fette Gotisch is a blackletter font release by URW. Contains language support for West, East, Turkish, Baltic, and Romanian. Published by URW Type Foundry GmbHDownload Fette Gotisch
PF Beau Sans Pro Font
The design of Beau Sans was inspired by Bernhard Gothic which is considered one of the first contemporary American sans serifs and was designed by Lucian Bernhard in the late 1920’s. The designer came across this font while attempting to
New Bayreuth Font
New Bayreuth is a new and improved version of the original Bayreuth font (Friedrich Hermann Ernst Schneidler, 1932). New Bayreuth was reworked, redesigned, completed and digitally remastered by Ralph M. Unger for URW++, based on specimen taken from old font
Chubbet Font
Chubbet (pr. Chub-bay) is a typeface meant for heavy duty applications. The regular weight starts off quite plump, then it expands inward until there is a minimal amount of positive space. Published by Emboss FontsDownload Chubbet