Tag: gothic
Aguda Stencil Font
Aguda Stencil font family is the stencil version of Aguda font family, it has been designed for Graviton Font Foundry by Pablo Balcells in 2014. Aguda Stencil consists of 16 styles. The 8 “Stencil 1” styles contain a narrow stem
Griffon Font
Griffon, titling face with influence from classic letterforms, inspired by retro faces in the early 20th century. This font family was all redesigned from scratch and now released ranging in 5 weights with small caps from Light to Bold. The
YWFT Matter Font
Take the Matter into your own hands. YWFT Matter, that is–a wide, bold and grotesque typeface design based on several concepts from Victorian-era science texts and manufacturing/marketing materials. YWFT Matter features alternate characters, like a “two-story” lowercase “a,” that are
FontForum Behrens Schrift Font
FontForum Behrens Schrift is a decorative blackletter font based on the designs of Peter Behrens and Ralph M. Unger, released by URW. Published by URW Type Foundry GmbHDownload FontForum Behrens Schrift
Old English Font
Old English is related to Black Letter styles from early printed books and have a distinguished, historic look. The Old English font is used in advertising, invitations, greeting cards, and wherever a formal hand-lettered or engraved look is desired. Published
Fette Gotisch Font
Designed by Wagner Studio in 1911, Fette Gotisch is a blackletter font release by URW. Contains language support for West, East, Turkish, Baltic, and Romanian. Published by URW Type Foundry GmbHDownload Fette Gotisch
PF Beau Sans Pro Font
The design of Beau Sans was inspired by Bernhard Gothic which is considered one of the first contemporary American sans serifs and was designed by Lucian Bernhard in the late 1920’s. The designer came across this font while attempting to
New Bayreuth Font
New Bayreuth is a new and improved version of the original Bayreuth font (Friedrich Hermann Ernst Schneidler, 1932). New Bayreuth was reworked, redesigned, completed and digitally remastered by Ralph M. Unger for URW++, based on specimen taken from old font
Chubbet Font
Chubbet (pr. Chub-bay) is a typeface meant for heavy duty applications. The regular weight starts off quite plump, then it expands inward until there is a minimal amount of positive space. Published by Emboss FontsDownload Chubbet
P22 Bastyan Pro Font
Bastyan is a hybrid Italic Blackletter. This typeface resembles Carolingian miniscule scripts and has a timelessness that evokes formality but defies specific historical categorization. It is available in an optional Opentype “Pro” version with CE language support, multiple styles of
Directors Gothic 220 Font
Handcrafted by Lettering Inc as part of its core library of typefaces in the 1930s, Directors Gothic was dramatically expanded throughout the lifetime of the company and remains a timeless classic. Inspired by the Art Deco movement popular at the
Directors Gothic 250 Font
Handcrafted by Lettering Inc as part of its core library of typefaces in the 1930s, Directors Gothic was dramatically expanded throughout the lifetime of the company and remains a timeless classic. Inspired by the Art Deco movement popular at the
Chubbet Distended Font
Chubbet (pr. Chub-bay) Distended is the extended version of Chubbet . The Chubbet weight starts off plumper than plump, then it expands inward until there is a minimal amount of positive space. Published by Emboss FontsDownload Chubbet Distended
Jessen Schrift Font
The original Jessen typeface, named in reminescence of the great supporter of the printing art at the end of the 19th century, Peter Jessen, was designed in the years of 1924 until 1930. Bible Gothic was created by the famous
Mensura Titling Font
Mensura Titling font family is the display version of Mensura font family, it has been designed for Graviton Font Foundry by Pablo Balcells in 2013. Mensura Titling consists of 12 styles including italics. The styles included in the font have
Aguda Font
Aguda font family has been designed for Graviton Font Foundry by Pablo Balcells in 2014. It is a modular, geometric typeface which has been conceived to be primarily a display typeface, but given its clarity it can also be used
HGB Lombardisch Font
In mediaeval times, Lombardic initials were popular for embellished upper case in handwriting. Also, in ancient print products of the reanaissance, like e.g. in the Schedelschen Weltchronik of 1493, Lombardic initials were used to mark indentions. In other cases, Lombardic
LTC Goudy Sans Font
Goudy Sans Bold was originally designed by Fredric Goudy in 1922 as a less formal “gothic” and finished in 1929. The light was designed in 1930 and the Light Italic in 1931. Alternate letterforms are included in these three Goudy